Hogeschool Rotterdam Willem de Kooning Academie

Event

Event

Wednesday 7 March, 18:00, Ground Floor atrium, Piet Zwart Institute, Wijnhaven 61, 3011 WJ Rotterdam

The Master of Interior Architecture: Research + Design is pleased to announce a new lecture for its 2018 public programme.

Daniel Fernández Pascual and Alon Schwabe are a duo of spatial practitioners based in London. Cooking Sections was born to explore the systems that organize the world through food. Using installation, performance, mapping and video, their research-based practice explores the overlapping boundaries between visual arts, architecture, and geopolitics. Cooking Sections have held residencies, among other places, at Delfina Foundation in London and the US Pavilion at the 2014 Venice Biennale; their work has been exhibited at the 13th Sharjah Biennial, Storefront for Art & Architecture, Fiorucci Art Trust, and more. They currently lead a design studio at the Royal College of Arts.

Caption of the image: Cooking Sections, Climavore performative dinner, HNI, 2016.

Wednesday 7 March, 18:00, Ground Floor atrium, Piet Zwart Institute, Wijnhaven 61, 3011 WJ Rotterdam The Master of Interior Architecture:... Lees verder

Wednesday 7 February, 18:00 Room number: W.4.320 Piet Zwart Institute  Blaak 10 3011 TA Rotterdam

The Master of Interior Architecture: Research + Design is pleased to announce a new lecture for its 2018 public programme.

Federico Martelli is a researcher and exhibition designer at AMO/OMA in Rotterdam, where he led the design of Elements of Architecture at the 2014 Venice Architecture Biennale, and more recently of Stedelijk BASE, a new gallery housing the Stedelijk Museum’s permanent collection.

He has also been working with Wolfgang Tillmans on several exhibitions, including his 2017 solo show at Tate Modern. Martelli is cofounder of Cookies – a Rotterdam-based collective that explores the relation between art, curation and architecture.

[Image: AMO, Stedelijk BASE, Amsterdam, 2017. Photo © Ossip van Duivenbode/oma.eu]

Wednesday 7 February, 18:00 Room number: W.4.320 Piet Zwart Institute  Blaak 10 3011 TA Rotterdam The Master of Interior Architecture: Research +... Lees verder

Date: Opening Friday 2nd February 2018 Time: 18:00 – 21:00 , Public Presentation at 18:30 Location: Tent, Witte de Withstraat 50, Rotterdam Free entry during Opening

Exhibition runs: 02.02.2018 – 22.04.2018 Cost: €5.00full/€2.50concession Gallery entry

Experimental Publishing would like to invite you to the opening “The Temporary Autonomous Bureau”, a project by some of their 1st and 2nd year students and part of “Rotterdam Cultural Histories” series co-organized by TENT Gallery and Witte de With Center for Contemporary Art.

Rotterdam Cultural Histories #13, The Temporary Autonomous Bureau is a space for researching, discussing and mapping interpretations of autonomy in cultural or social projects within the city of Rotterdam. We are inhabitants of the the Poortgebouw, a historical living community on the Maas River, and students from the Experimental Publishing Master at the Piet Zwart Institute in Rotterdam. Situated in TENT, we turned a space into a temporary office. We will use the space to carry on with the research on the history of the Poortgebouw, following two projects from 2017, “The Autonomous Archive” and “A Bed, A Chair and A Table”.

The Poortgebouw is a 37 year old organisation that hosts cultural activities, as well as a living community of 30 people. During these years it has offered space for self-organised events and projects, acted as a residence for guests, artists and musicians, and provided a living and working space for different generations of people from all over the world. The building was first squatted in 1980 and got legalized. The legalization was made possible through the renovation of the building, which turned it into a livable space. The dedication of the first group of inhabitants also led to the establishing of the Vereniging Poortgebouw.

In the timeframe of three months we will use this space to organize a series of temporary events that will map the existing independent strategies of self-organization in the city. At the same time, the public will have the access to parts of the fragmented Poortgebouw archive. The “Temporary Autonomous Bureau” serves as meeting point for semi-institutional and semi-public experiences, discourse and interventions.

How can independent organizations maintain agency in a city where institutionalization of cultural and living spaces is the rule?

Is it possible to organize a sustainable, non-hierarchical and organized socio-cultural project, through collaborative bottom-up practices?

Can a certain degree of openness and autonomy be maintained in the management of a self-organized social and cultural project?

For more information see here We are looking forward to see you at the opening of our bureau! We will keep you updated with our upcoming talks and workshop.

“The Temporary Autonomous Bureau” are Giulia de Giovanelli, Naomi de Wit, Philippa Driest, Angeliki Diakrousi, Alice Strete and Thanos Kaltsamis

Date: Opening Friday 2nd February 2018 Time: 18:00 – 21:00 , Public Presentation at 18:30 Location: Tent, Witte de Withstraat 50, Rotterdam Free... Lees verder

Saturday, February 10, 2018, 10:00 – 15:00 at two locations;

Piet Zwart Institute Karel Doormanhof 45 & Wijnhaven 61 Rotterdam The Netherlands

During our annual Open Day, staff and students are present for questions and presentations. The studio spaces will be open, and it is also possible to visit the workshop facilities located at the Willem de Kooning Academy.

Master Fine Art will be present for questions and presentations, and have Open Studios. Their location is at Karel Doormanhof 45.

Staff and students of the Master Media Design: Experimental Publishing, Master Media Design: Lens-Based, Master Education in Arts, and Master Interior Architecture: Research + Design will be presenting and available for questions across the 4th floor of the Willem de Kooning Academy at Wijnhaven 61. As mentioned, this location is also home to the workshop facilities of the Piet Zwart Institute.

Applications for September 2018 entry are now open.

We strongly encourage you to apply early due to the quantity of applications the Piet Zwart Institute Master programs receive, Dutch IND regulations regarding immigration, and international opportunities to apply for study funding.

February 1, 2018: First review of completed applications for non-EU and EU applicants.

March 1, 2018: Final review deadline for completed applications for non-EU applicants. Second review for completed applications for EU applicants.

May 15, 2018: Final review deadline for completed applications for EU applicants.

Once a committee has reviewed your completed application, you may be contacted for an interview. Interviews will start as early as end of February and carry on up until the May 15 deadline.

Image credit: Aad Hoogendoorn.

Saturday, February 10, 2018, 10:00 – 15:00 at two locations; Piet Zwart Institute Karel Doormanhof 45 & Wijnhaven 61 Rotterdam The... Lees verder

Wednesday 24 January, 18:00 Room BL.01.i 

Piet Zwart Institute  Blaak 10 3011 TA Rotterdam

The Master of Interior Architecture: Research + Design is pleased to announce a new lecture for its 2018 public programme.

Simone C. Niquille is a Swiss designer and researcher living in the Netherlands. Her studio Technoflesh investigates the representation of identity without a body, the digitisation of biomass, and the increasingly omnipresent optic gaze of everyday objects. Recently, e-flux architecture published her essay “SimFactory”; her short film The Fragility of Life premiered at Impakt Festival in Utrecht.

[Image: Video still from The Fragility of Life, 2017]

Wednesday 24 January, 18:00 Room BL.01.i  Piet Zwart Institute  Blaak 10 3011 TA Rotterdam The Master of Interior Architecture: Research +... Lees verder

Piet Zwart Lens-Based Study Path and International Film Festival Rotterdam present OVER THE MOON SYMPOSIUM – imaging technologies versus popular imagination –

Date: Monday 29th January 2017 Time: 10:00 – 18:30 Location: The Hilton Hotel – IFFR conference floor – Coolsingel, Rotterdam Free entry

Both film studios, business marketeers and media enterprises love to trigger our imagination about space exploration. The images they generate, however, are usually rather regressive than future-oriented. Combining science with a critical creative practice, central speaker Angelo Vermeulen demonstrates how a more diverse and multidisciplinary approach to futurist design can deliver us more relevant models to visualize our future. His keynote will be preceded by talks and presentations on both historical and the most contemporary approaches to visualizing space, by Johann Lurf, Alejandro Bachmann, Kurt Vanhoutte, Natalja Majsova, Neal David Hartmann, Cath Le Couteur and Lawrence Lek.

This symposium is in association with: The Lens-Based Media Study Path : Media Design Programme: Piet Zwart Institute. With additional support from the Swiss Embassy.

Programme: [doors open at 10:00]

10:15 > 10:30 : introduction by Simon Pummell (Piet Zwart) & Edwin Carels (IFFR)

10:30 > 11:15 : Johann Lurf in conversation with Alejandro Bachmann Gazing at the Stars, Reflecting on Present and Past

11:15 > 12:30 : Natalija Majsova: The Horizons of a Past Future: Spaceflight in Soviet Science Fiction Cinema

12:30 > 13:15 : Kurt Vanhoutte: Celestial Bodies: the human orrery, performing science from the 19th to the 21st century

13:15 >14:15 : lunch break

14:15 > 15:00 : Cath Le Couteur: Project Adrift: The hidden world of space junk

15:00 > 15:45 : Neal David Hartman: Science storytelling, virtual reality and documenting CERN.

15:45 > 16:30 : Lawrence Lek : First-Person: Fictional Artists and Post-human Players

16:30 > 17:00 : coffee break

17:00 > 18:30 : Angelo Vermeulen – Masterclass : Why we don’t need Star Wars. Re-imagining our interstellar future.

18:30 onwards : closing drinks

This symposium makes part of the thematic IFFR programme Curtain Call, that offers an invitation to reflect upon the lure of science and obsession with progress through a series of films and an exhibition.

Curtain Call’s cinematic programme consists of four feature films and four compilations that further explore the overriding theme of loss and departure behind the shaping of our future. Titles of the features: Island, Alpha Go, ★ and Thomas Pesquet: How to Become an Astronaut. Compilation titles: Dreaming Androids, Fata Morgana, Reverse Engineering and Colonising Chaos. For the full Curtain Call film programme, see www.iffr.com

Artists represented in the Curtain Call exhibition: Nikolaus Geyerhalter, Takahiro Kudo, Paul van Hoeydonck, Chantal van Rijt, Valérie Mannaerts, Shaun Gladwell for BADFAITH, Robbrecht&Daem architects, Adrian Paci, Kurt D’Haeseleer & Franck Vigroux, Agence Future, Sarah van Sonsbeek, Yasunari Izaki, Various Artists.

The exhibition runs from Thu 25 Jan – Thu 1 Feb Open daily from 11:00 – 20:00 – free entrance Location: LP2
, Wilhelminakade 326

ABSTRACTS / BIO’s

JOHANN LURF A conversation between Alejandro Bachmann (curator) and Johann Lurf about the filmmaker’s work ★ and it’s multiple narratives hidden in dark cinematic skies

ABSTRACT The conversation will not only focuss on the formal concept and the found footage aspects of ★, but also about his collaboration with archives and questions of materiality. The question is also addressed to what extent ★creates an understanding of film history, that is, how it can be seen as an approach to archive and re-configure a human experience – which in this case is to look at the stars through cinema. Concentrating on the soundtrack of the film the discussion will also deal with tthe semantic cues ★offers in relation to what we connect with images of the stars.

BIO Based in Vienna, Johann Lurf charts unexpected possibilities for cinematic perceptions of time and space. His films draw on the structural legacies of Michael Snow and Peter Kubelka and the recontexualizations of Bruce Connor and Peter Tscherkassky. The films are simultaneously playful and rigorous; technically ambitious and remarkably simple.

ALEJANDRO BACHMANN

BIO Alejandro Bachmann is head of education, research and publications and curator af the Austrian Film Museum in Vienna. He writes both in scholarly publications and film magazines, his last publication as an editor includes „Spaces in Time: The Cinema of Nikolaus Geyrhalter“.

NATALIJA MAJSOVA The Horizons of a Past Future: Spaceflight in Soviet Science Fiction Cinema and Beyond

ABSTRACT The lecture traces the emergence, consolidation, and transformations of spaceflight-related ideas, such as utopianism, technological progress, patriotic aspirations of the State, and philosophical implications of the space age, through the genre of Soviet science fiction film. The significance of these developments is evaluated with reference to their influence on contemporary, post-Soviet cinema, science fiction, and future-oriented ideas.

BIO Natalija Majsova got her PhD degree at Cultural Studies from the University of Ljubljana. Her monograph “The Constructor, Aesthetics, and the Cosmonaut: Outer Space in Contemporary Russian Cinema (2001-2017)” was published by the University of Ljubljana Press in 2017. She is currently a post-doc researcher at the University of Antwerp, where she examines the aesthetic legacy of Soviet science fiction cinema.

KURT VANHOUTTE

ABSTRACT Since the early nineteenth century and into the twenty-first century, the planetarium – a theatre built for presenting educational and entertaining shows about astronomy – remained a locus of innovations in the contexts of both performance and science. These spectacles animated the celestial bodies – the stars, planets and comets – in front of lively audiences, and delivered cosmological narratives that thematised the place of man, scientific progress and technology within a rapidly evolving world.

BIO Kurt Vanhoutte is Professor of Performance Studies and Visual Arts Criticism at the University of Antwerp, and since 2013 spokeperson for the Research Centre for Visual Poetics. He co-initiated the Performing Astronomy Research Society (PARS) an international, interdisciplinary group that investigates the history, present and future of popular astronomical spectacle.

CATH LE COUTEUR Project Adrift: The hidden world of space junk

ABSTRACT The project Adrift explores the secret world of space junk, making it personal, visible and audible. The project takes the form of an interactive experience (Adopt), a documentary film (Watch) and a sound installation (Listen).The presentation will also include the screening the two space-junk films ’SuitSat’, ‘Vanguard and Fengyun’ and the presentation of some of the sounds of the sound machine ‘Machine 9′.

BIO Cath Le Couteur studied Directing at the National Film and Television School UK. Her short films won a number of awards and screened at key festivals around the world. She is a co-founder of Shooting People, the renowned online independent filmmakers collective. She currently sits on the board of Directors UK.

NEAL DAVID HARTMAN: Communicating science through storytelling and artistic collaboration at CERN

ABSTRACT Neal will expand on his workshop experiences with in science storytelling and virtual reality with such organisations as the Tribeca Film Institute, Lift Conference, and the GIFF. He will also elaborate on a documentary he is currently producing on CERN that was entirely shot by the engineering staff in the underground caverns, and that uses Kubrick’s 2001, A Space Odyssey as a major reference.

BIO Neal is currently the director of the CineGlobe film festival at CERN, the European Particle Physics lab and home to the LHC, in Geneva, Switzerland. He was the invited chairman for the World VR Forum in 2017. Neal also occupies himself with the mechanical engineering of ultra-stable, low-mass structures and integration for the ATLAS Experiment at CERN.

LAWRENCE LEK First-Person: Fictional Artists and Post-human Players

ABSTRACT Who will the artists of the future be? When AIs attain superhuman levels of creativity, will we embrace or exile these non-human creators? Using his recent CGI film Geomancer and video essay Sinofuturism (1839-2046 AD), his talk will explore how video game engines enable artists to construct new narratives that both celebrate and critique technology. Sinofuturism (1839-2046 AD) speculates on AI as a post-human creative force, drawing parallels between AI research and Chinese conceptions of labour.

BIO Lawrence Lek is a simulation artist based in London. He creates site-specific virtual worlds and speculative films using gaming software, 3D animation, installation and performance to reflect on the impact of the virtual on our perception of reality. His work has been exhibited at Victoria and Albert Museum, The Barbican, and the ICA.

ANGELO VERMEULEN Why we don’t need Star Wars. Re-imagining our interstellar future

ABSTRACT Both film studios, business marketeers and media enterprises love to trigger our imagination about space exploration. The images they generate, however, are usually rather regressive than future-oriented. Combining science with a critical creative practice, Angelo Vermeulen demonstrates how a more diverse and multidisciplinary approach to futurist design can deliver us more relevant models to visualize our future.

BIO Artist, biologist, space researcher and Senior TED fellow Angelo Vermeulen collaborates closely with practicing scientists, while also constructing multimedia installations in galleries and museums, and building communities through design and co-creation. In 2013 he was Crew Commander of the NASA-funded HI-SEAS Mars mission simulation in Hawaii. His space-related work led him to start PhD research at Delft University of Technology, working on bio-inspired concepts for interstellar travel.

Piet Zwart Lens-Based Study Path and International Film Festival Rotterdam present OVER THE MOON SYMPOSIUM – imaging technologies versus... Lees verder

Friday 19 January, 12:00–13:30 Room number: W.4.320, 4th floor

Piet Zwart Institute Wijnhaven 61 3011 WJ Rotterdam The Netherlands

The Master of Interior Architecture: Research + Design is delighted to announce the first lecture of the new public programme for 2018.

Hilary Sample is an award-winning architect and cofounder of MOS Architects, an architecture firm based in New York City. MOS won the MoMA PS1 competition in 2009, and have subsequently built a number of residential, educational and housing projects. They also participated in several exhibitions including the 2015 and 2017 Chicago Architecture Biennial. Hilary Sample wrote the book Maintenance Architecture (MIT Press, 2016), and is associate professor at Columbia GSAPP. In this lecture she will talk about MOS’s approach to designing houses.

This lecture was made possible with the kind support of Het Nieuwe Instituut, The Berlage, and e-flux architecture, within the ‘Architecture and Representation’ series.

Caption for image: House, No. 11, Corridor House | MOS Architects

Friday 19 January, 12:00–13:30 Room number: W.4.320, 4th floor Piet Zwart Institute Wijnhaven 61 3011 WJ Rotterdam The Netherlands The Master of... Lees verder

Piet Zwart Institute Wijnhaven 61 3011 WJ Rotterdam The Netherlands

The Master of Interior Architecture: Research + Design is delighted to announce a new public programme for 2018.

The interior represents a complex play of political, social, cultural and economic forces. Departing from a set disciplinary framework and turning to the notion of a continuous interior, this lecture series offers the possibility to imagine a space of the otherwise.

The series is an initiative by Andrea Bagnato and Füsun Türetken to encourage conversations on design-led research and to present a diversity of voices from across the discipline.

All lectures are free and open to the public, and will take place at Piet Zwart Institute.

Hilary Sample January 19, 12pm Hilary Sample co-founded with Michael Meredith MOS Architects, a New York-based practice that has built an acclaimed series of houses, as well as schools and other buildings. She is associate professor at Columbia University’s Graduate School of Architecture, Planning and Preservation.

Simone C. Niquille January 24, 6pm Simone C. Niquille is a Swiss designer and researcher living in the Netherlands. Her studio Techno esh investigates the representation of identity without a body, the digitisation of biomass, and the increasingly omnipresent optic gaze of everyday objects. Recently, her short lm ‘The Fragility of Life’ premiered at Impakt Festival in Utrecht.

Federico Martelli February 7, 6pm Federico Martelli is a researcher and exhibition designer at AMO/OMA in Rotterdam, where he led the design of Elements of Architecture at the 2014 Venice Architecture Biennale. He has also been working with the photographer Wolfgang Tillmans, and is the cofounder of the collective Cookies.

Cooking Sections March 7, 6pm Daniel Fernández Pascual and Alon Schwabe are a duo of spatial practitioners based in London. Cooking Sections was born to explore the systems that organize the world through food. Using installation, performance, mapping and video, their research-based practice explores the overlapping boundaries between visual arts, architecture, and geopolitics.

Laura Herman March 21, 6pm Laura Herman is a curator and writer whose work focuses on spatial infrastructure, organisational models, and a ective architectures. She is curatorial and production coordinator at La Loge (a space in Brussels dedicated to contemporary art, architecture, and theory), and has recently co-curated the exhibition ‘Natural Capital. And Counter Stories of the Archipelago’ at Bozar.

Shumi Bose April 18, 6pm Shumi Bose in an architectural writer, historian and educator. In 2016 she was co-curator of ‘Home Economics’, the British Pavilion at the Venice Architecture Biennale. She teaches at Central Saint Martins and at the Architectural Association in London.

Saskia Noor van Imhoff May 16, 6pm Saskia Noor van Imho is an artist living and working in Amsterdam. Her work uses installation to engage with the arrangements and hierarchies of art institutions in order to propose new connections between art and the everyday. She has been shortlisted for the Prix de Rome 2017.

Joseph Grima date to be announced Joseph Grima is creative director of Design Academy Eindhoven and director of Ideas City, an initiative by the New Museum. He co-founded the design research studio Space Caviar, and has previously been artistic director of the rst Chicago Architecture Biennial, editor-in-chief of ‘Domus’ magazine, and director of Storefront for Art and Architecture.

Piet Zwart Institute Wijnhaven 61 3011 WJ Rotterdam The Netherlands The Master of Interior Architecture: Research + Design is delighted to... Lees verder

Experimental Publishing launches Special Issue #4: A Bed, a Chair and a Table

Date and Time: Thursday, December 7, | Book Launch: 18:30 [Doors open: 18:00] Location: Het Poortgebouw, Stieltjesstraat 38 Rotterdam No Admission fee but stay for dinner (on donation): 19:30

A Bed, a Chair and a Table is a publication about the Poortgebouw, a former squat and vibrant living community located in the South of Rotterdam. In this book, oral histories from inside and outside the Poortgebouw are interlaced with material from various institutional and personal archives.

By bringing together these tales of resilience, political struggle, frustration and friendship with historical documents, this book brings forward new perspectives about the Poortgebouw’s unique history and its importance in the contemporary city. The starting point of the book was the Autonomous Archive, a local archiving machine built from parts of different computers by the inhabitants of the Poortgebouw and a group of students from XPUB.

A Bed, a Chair and a Table is the fourth ‘Special Issue’ conceptualised, developed and produced by the students from the Experimental Publishing course (XPUB) of the Piet Zwart Institute Media Design Master. It provides a trigger for the reader to further explore the Poortgebouw’s past, to engage with its community, and discuss a potential future amidst all of its complexities. The project encompasses a limited edition book, a Peer Production Licensed digital copy, a wiki based digital archive of documents found at the Poortgebouw, and an archive of the production process of the book. It is a testament to the archive as not the end, but the beginning of a debate. Join us!

Get your copy of A Bed, a Chair and a Table at the launch, stay and have dinner followed by music by DJ Naam & DJ Post-Toast!

This publication is brought to you by Delphine Bedel, Natasha Berting, André Castro, Elisa Chaudet, Angeliki Diakrousi, Max Franklin, Giulia de Giovanelli, Francisco González, Joca van der Horst, Aymeric Mansoux, Michael Murtaugh, Alexander Roidl, Steve Rushton, Alice Strete, Zalán Szakács and the Autonomous Archive. XPUB is a two-year Media Design Master course that prepares students to critically engage with societal issues within the fast changing field of art, design and cultural production. The project was developed in the context of Architecture of Appropriation, a research project at Het Nieuwe Instituut, that examines how squatters have appropriated urban spaces using radical improvisation techniques, and how this has influenced the way we think about the contemporary city.

Special thanks to the inhabitants of Poortgebouw, the Autonomous Archive, the Architecture of Appropriation team/Het Nieuwe Instituut (Marina Otero Verzier and Katia Truijen), De Raddraaier and Antalis, Annet Dekker, Cia Franssens, Esther Krop, Wilco Lamberts, MayDay, Leslie Robbins and Zine Camp.

Experimental Publishing launches Special Issue #4: A Bed, a Chair and a Table Date and Time: Thursday, December 7, | Book Launch: 18:30... Lees verder

Time: Monday November 13, 19.00hrs Location: Karel Doormanhof 45, Rotterdam Admission: Free

LACK OF IMAGINATION by Alex Cecchetti Intended as a new sort of artist retrospective, Lack of Imagination brings together in the form of poems a catalogue of works that are invisible, missing or immaterial, all stemming from the artist’s lack of imagination. These performance narratives revive the tradition of the epic or the song of gesture to summon by an imaginative process the absent works. Alex Cecchetti describes the talk as ‘a multiple experience of serendipity and simultaneity that tries to reply to one single question: do invisible things see visible things?’

Visual artist, poet and choreographer, Alex Cecchetti creates performances and unclassifiable objects that can take place in exhibitions or elsewhere. He draws his inspiration from literature, philosophy, science or music. Whether it’s a stand-up comedy about death, a walk backwards in botanical gardens or a visit to the Louvre without the Louvre, each of his works is a real experience shared by a community of spectators. His poetic and gestural language mysteriously brings the participants to embark on rituals or journeys where the perception and the great existential questions are brought into play. His works are meant to develop in the spectators their visionary qualities.

For the past two years, he has been developing a narrative project of performances exhibition and a novel, as part of the project The Novel As Fantasy, edited by The Book Lovers and produced by the Ujazdowski Castle Center for Contemporary Art in Warsaw. There he has presented his personal exhibition Tamam Shud. He is the first artist to have benefited from a research residency at the Center of Contemporary Art at the Ferme du Buisson in 2016. In February 2017, he obtained a carte blanche at the Palais de Tokyo, in Paris, for a program entitled “Notte lusoria “. His performances and exhibitions have been presented in many institutions such as the Jeu de Paume, the Pompidou Center in Paris, the Serpentine Galleries in London, the Maxxi Museum of Contemporary Art in Rome, the Serralves Foundation in Porto, CAC Vilnius, M leuven or the foundation Sandretto Re Rebaudengo in Turin. Today La Ferme du Buisson hosts its largest monographic exhibition in France in collaboration with the CCA Warsaw. Next solo shows Spike Island, Bristol, UK in May 2018 and Void, Derry, Ireland in August 2018.

Time: Monday November 13, 19.00hrs Location: Karel Doormanhof 45, Rotterdam Admission: Free LACK OF IMAGINATION by Alex Cecchetti Intended as a... Lees verder