Hogeschool Rotterdam Willem de Kooning Academie

Piet Zwart Institute

Piet Zwart Institute

On March 25–27, first-year students of the MIARD program will travel to Milan to explore the architecture and design scene, both old and new. In the course of the three days, the students will visit some of the most exciting local practices working at the scale of the interior, such as Piovenefabi, Francesco Librizzi, and Studio Albori. They will also visit the recently opened 22nd Triennale, including a tour of Paola Antonelli’s acclaimed Broken Nature with Studio Folder, the exhibition designers. Finally, they will take a close look at the high period of Italian modernism through the work of Achille Castiglioni, BBPR, Asnago Vender and others. The trip is organised by Andrea Bagnato, lecturer in the Critical Studies module.

Image credit: Llareta #0308-2B31 (Up to 3,000 years old; Atacama Desert, Chile), from The Oldest Living Things in the World by Rachel Sussman. Part of Broken Nature: Design Takes on Human Survival. 

On March 25–27, first-year students of the MIARD program will travel to Milan to explore the architecture and design scene, both old and new. In... Lees verder

Studio Visits is an annual initiative at MIARD that is planned during the first year of study and is led by Noman Studio. Students visit a diversity of studio practices to engage in conversations with the founders about their professional practice, artistic research and production.

2019 studios visits include:

Chris Kabel

Bastiaan de Nennie

Random Studio

Koehorst in’t veld

Envisions, Sanne Schuurman

Michael Schoner

Studio Truly Truly

Studio Visits is an annual initiative at MIARD that is planned during the first year of study and is led by Noman Studio. Students visit a... Lees verder

Studio Folder is an agency for visual research founded by Marco Ferrari and Elisa Pasqual in 2011 and based in Milan. They worked with a number of prominent clients including Domus, the V&A Museum, and Olafur Eliasson; recently, they have been responsible for the exhibition design of Broken Nature at the XXII Triennale di Milano, curated by Paola Antonelli. Among their self-initiated research projects are: Uncharted, on remote sensing and satellite images; Italian Limes, awarded with a special mention at the 2014 Venice Architecture Biennale; and the book A Moving Border: Alpine Cartographies of Climate Change, coauthored with Andrea Bagnato (Columbia/ZKM, 2019).

On March 21, Marco and Elisa will be guest of the Research Methods module at MIARD. They will give an overview of their recent work, showing how the same design approach is materialized in installations, digital interfaces, and print media. This will be followed by a half-day workshop on the politics of the image and the construction of visual narratives.

Studio Folder is an agency for visual research founded by Marco Ferrari and Elisa Pasqual in 2011 and based in Milan. They worked with a number... Lees verder

Date: Saturday, 02 March 2019

Time: 11:00 – 17:30, closing ceremony 20:30 /21:00 VR and Vjing

PZI screenings: 13:30 – 14:45

Location: Eye Filmmuseum, IJpromenade 1, 1031 KT Amsterdam

Eye on Art’s Research Labs provide scope for a new generation of curators and artists to hone their skills. Students from different art academies and universities are asked to put together a programme featuring their own work and films (including remixes) from Eye’s collection. Research Labs do not follow a strict format and often result in a cultural crossover between film and other art forms.

The programme of the day:

11.00 Rietveld Academy Wildness

12:15 Sandberg Institute Catalogue

13:30 Piet Zwart Institute Disobedient Narratives

14:45 Leiden University Cinematic Reflections

16:00 St. Joost Academy Unintended

17:15 KABK Cinema as a Dream

The best curated programme and the best work will be awarded by a student jury and a jury of Eye film professionals in a closing ceremony at 20.30.

At 21.00 the VJ Academy will close the day with the programme “Spacechangers” including 3D projection mapping, VR and Vjing.

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Disobedient Narratives

From the smooth surface of chaos, to the purple hues of desert; from a day at the news stand, to a day of the troop’s return; from a poem to a memory to a dream to a failure to recall. A television breaks. A bell rings. A photograph becomes a moving image. What happens? Where will the dark pulses send us? Whose wistful whisper fills our skin with regret?

In this program of sixteen short films, makers from the Piet Zwart Institute interpret non-linearity on the screen. Fragments adhere. Entities emerge. Silence begets curiosity before reality shatters again. As the hour forks into a universe of thoughts and experiences: do we follow the command, or do we shut our eyes?

From the smooth surface of chaos, to the purple hues of desert. From a day at a neighbourhood news stand, to a day of the troop’s return; a poem to a memory, to a dream to a failure to recall. A television breaks. A bell rings. A photograph becomes a moving image. What happens? Where will the dark pulses send us? Whose wistful whisper fills our skin with regret?

In this program of sixteen short films, makers from the Piet Zwart Institute interpret non-linearity on the screen. Fragments adhere. Entities emerge. Silence begets curiosity before reality shatters again. As the hour forks into a universe of thoughts and experiences: do we follow the command, or do we shut our eyes?

facebook: https://www.facebook.com/events/1011190542405780/

More details to be found here: https://www.eyefilm.nl/film/agenda/2019-03-02

Image credit: Andreas Drosdz

Date: Saturday, 02 March 2019 Time: 11:00 – 17:30, closing ceremony 20:30 /21:00 VR and Vjing PZI screenings: 13:30 – 14:45 Location:... Lees verder

Deadline:  01 March 2019 Apply here

As a small-scale program, MIARD operates from a point of view that education is adaptable to a variety of external forces and should resist institutional idleness.  Practice is considered an expanding field as a means to train practitioners for a career in a changing world. Interior Architects are increasingly faced with a complex world of new realties, technologies, socio-political, environmental and economic challenges; thus, the practice of the designer needs to react, expand and shape future roles.

The program is built around a self-directed, multi-discipline practitioner. Students develop their practice while synchronizing design-led research with critically reflective, theoretical and historical discourse.  The curriculum is multi-disciplinary, designed with international staff and students from diverse backgrounds who share and combine their expertise and resources.  While, the concept of “making public” contextualizes our learning environment directly within the professional field. This is executed within the curriculum’s triad structure of unified modules, Design Project, Critical StrategiesMultiple Media, that together shape thematic ‘spaces’ of design-led research throughout the two-year program.

Archive: On this archive you can learn about the awards, scholarships, publications, exhibitions, projects and international collaborations of our students and alumni.

Staff 2018-19: Andrea Bagnato (editor, researcher), Max Bruinsma (writer, critic, editorial design), Fosco Lucarelli (architect, curator), Selina Parr (designer), Füsun Türetken (architect, visual artist), Ephraim Joris (architect), Olivier Otten (interaction designer), Lara Tolman (designer), Daphne Heemskerk (graphic designer), Mariabruna Fabrizi (architect, curator), Alex Suárez (Course Director, architect, educator)

Guests, Speakers & Studio Visits: Hilary Sample, Marina Otero Verzier, Aristide Antonas, Cooking Sections, Nick Axel, Shumi Bose, Anna Puigjaner, Erik Rietveld, Lois Weinthal, Aslı Çiçek, Alessandra Covini, Koehorst in t’veld, Gabriel Lester, Chris Kabel, Ethel Baraona Pohl, Random Studio, Tamar Shafrir, Riet Eeckhout, Simone C. Niquille, Tijs Gilde, Laura Herman, Federico Martelli, Niels Schrader, Tomas Saraceno, Point Supreme, Kuehn Malvezzi, Brenden Cromier, Sander Wassink, OS&OOS, Michiel van Iersel, Bastiaan de Nennie, Parasite 2.0, Penny Sparks, Koen Deprez.

Deadline:  01 March 2019 Apply here As a small-scale program, MIARD operates from a point of view that education is adaptable to a variety of... Lees verder

Studios Open: February 9, 10am–7pm

Piet Zwart Institute MFA Karel Doormanhof 45 3012 GC Rotterdam The Netherlands

www.pzwart.nl bindermfa.pzwart.nl Facebook / Instagram

Featuring: Christine Ayo, Annabelle Binnerts, Antonia Brown, Jake Caleb, Teddy Coste, Jānis Dzirnieks, Jakob Forster, Josje Hattink, Olga Hohmann, Lili Huston-Herterich, Peter Horneland, Honey Jones-Hughes, Jamie Kane, Merve Kiliçer, Matheline Marmy, Lucía Bayón Mendoza, Lukas Meßner, Josie Perry, Petter Dahlström Persson, Marco Rizzardi, Bobby Sayers, Yanik Soland, Daphne Simons, Berglind Erna Tryggvadóttir.

And pedagogical team 2018-19: Liesbeth Bik, Kate Briggs, Bernd Krauß, Mike Sperlinger, Jan Verwoert, Nina Wakeford, Katarina Zdjelar, and Vivian Sky Rehberg (Course Director).

The Master Fine Art at the Piet Zwart Institute is pleased to welcome you to its annual open studios, an occasion during Art Rotterdam week for visitors to experience the range of practices, realities, narratives, and dynamics the MFA program fosters in its studio “station” in the former St Willibrordusschool building dating from 1907, in Rotterdam’s city center.

You will have the occasion to meet and engage directly with a new generation of emerging international artists as well as the core MFA teaching staff. While keeping our doors open to the public, the artists will be showing their work and hosting a durational program full of surprises, with the possibility of performances, screenings, readings, auctions, radio programs, guided tours, and conversations throughout the day. Program details will be announced on social media.

Open studios at Karel Doormanhof 45 coincides with the Piet Zwart Institute/Willem de Kooning Academy’s Open Day for prospective applicants at Blaak 10 and Wijhaven 61, where staff and students from all Master programs will be available to field questions.

Please note the MFA building is located a short walk or bike-ride from the Willem de Kooning Academy, where MFA guests are encouraged to tour the state-of-the art technical facilities and learn about our academy as a whole.

The two-year Master Fine Art program foregrounds the reciprocal articulation of self-directed research, practice, and professionalization. It considers critical reflection, debate, and action as integral to being an artist. The MFA guides artistic development through exposure to actors, influences, and ideas circulating in contemporary art, professional guidance and workshops, and exhibition and public program opportunities for presenting research and work to wider audiences.

Apply to the Piet Zwart Institute Due to the quantity of applications the Piet Zwart Institute Master programs receive, regulations regarding immigration, and international opportunities to apply for study funding, we strongly encourage you to apply early.

March 1, 2019: Final deadline for non-EU applicants and priority deadline for EU applicants. May 1, 2019: Final deadline for EU applicants.

Contact Piet Zwart Institute P.O. Box 1272 3000 BG Rotterdam The Netherlands

 

 

Studios Open: February 9, 10am–7pm Piet Zwart Institute MFA Karel Doormanhof 45 3012 GC Rotterdam The... Lees verder

Application deadlines: March 1, May 1. We also admit students on a rolling basis, earlier applications will be reviewed once a month.

Research and Experimentation in Art and Design Education

The Master Education in Arts is two-year 60 ECTS part-time programme is specifically developed for working practitioners/educators. The course has an interdisciplinary focus, allows for experimentation, is taught in English and accepts students from the Netherlands and within the EU. The programme explicitly connects theory and practice, focusing on contemporary issues that span different practices and discourses: education, pedagogy, art, design, cultural theory, digital cultures, public practices, education philosophy, museum education and so forth. Classes are taught on Friday and Saturday every two weeks at Piet Zwart institute on the 4th floor of the WdKA/Wijnhaven.

The curriculum is designed for educators in the field of secondary/vocational and higher art and design education, museum educators and artists and designers with an interest in pedagogical/public practices. We also explicitly welcome cultural professionals working within and outside and institutional environment (workshops, labs, et cetera). Peer learning and being part of a learning community exchanging knowledge and experiences, is a key feature of our programme. The course prepares graduates to engage with formal educational structures as well as informal learning environments. 

Information about how to apply can found here.

If you have any questions please contact our course coordinator: demsm@hr.nl.

 

Application deadlines: March 1, May 1. We also admit students on a rolling basis, earlier applications will be reviewed once a month. Research and... Lees verder

Date: Thursday, 13 December 2018 Time: 19:30 – 21:30 Location: Het Nieuwe Instituut, Museumpark 25  |  3015 CB Rotterdam Entrance:  Free [please reserve a seat]

(◕‿◕) Take your time to reflect on this: Are you doing what you truly want to do? (◕‿◕)      ị̞͍s̯̩̠ ̴̩͉̫̗͇ț̠ͅh̪̼̟̪̕i͠s͎̝̩̯̩̠ ̗̘̰̟̩͕p̻̘͙͓á̩̭r̳͚͕̘͖ṯ̤̼͔͖ͅ ̜̱o̯̩̦̗̮̖̣f ̺͝y̥͡o̧̺͚͉̠͙̗ͅu̧̜͖̥r̸̘ ̹̤͙̳j̴̙̗o̵̼̲͉͖̮b̥͖͘ ͕͓ḏ̷̩e̫s͖̭͕̙̱͉ć̖͉̯̙̫̪r̶̠i̖p̨̜t̨̼͓ͅi͖͈͇͙͞o͏̹̠̬̻n͍̩͇̱͞?       (◕‿◕)  If happiness is a currency, how rich do you think you are?  (◕‿◕)        ♪♬ ғɪx ᴡᴏʙʙʟʏ ᴏғғɪᴄᴇ ғᴜʀɴɪᴛᴜʀᴇ ʙʏ ᴜsɪɴɢ ᴏʟᴅ ᴄᴅs ᴛᴏ ᴀᴠᴏɪᴅ ᴡᴏʙʙʟᴇs ᴀɴᴅ ᴘʀᴏᴛᴇᴄᴛ ᴛʜᴇ ᴄᴀʀᴘᴇᴛ. ᴛʜᴇʏ ᴀʟsᴏ ᴍᴀᴋᴇ ɢʀᴇᴀᴛ ᴄᴏᴀsᴛᴇʀs. ♪♬

A shady corporation is trying to take control of a fluid, chaotic global market. Workers surrender themselves to a seductive new device called Iris, which purports to enlighten them and unleash the real power of the entrepreneurial self. Iris is designed to help full-time, part-time and zero-time employees cope with the complexity of modern life, divulging secrets of the precarious worker, of autonomy and maximum efficiency through a new magic formula contained in the meaning of Life Hacks. But… anonymous cyber-pirates are exploiting the device to rouse a cry of rebellion against this oppressive society of self-management. Discover the paradox buried deep within Iris, where autonomy leads to subjugation, and subjugation appears as freedom.

The Experimental Publishing (XPUB) program of the Piet Zwart Institute invites you to the third event of the Life Hacks series. Following the launch of ‘Ten Theses on Life Hacks’, XPUB’s 7th Special Issue is a further step of an inquiry into the meaning of Life Hacks. XPUB welcomes you to experience a personal session with Iris, and discover your limitless potential to succeed.

• • •

— Iris — Version 0.5

Contributors: Gill Baldwin, Simon Browne, Tancredi Di Giovanni, Paloma García, Rita Graça, Artemis Gryllaki, Pedro Sá Couto, Biyi Wen, Bohye Woo, Silvio Lorusso, Aymeric Mansoux, André Castro, Steve Rushton, Michael Murtaugh, Leslie Robbins. Produced and published by the Experimental Publishing (XPUB) program of the Piet Zwart Institute, Rotterdam, December 2018. A collaboration between the Research Department of Het Nieuwe Instituut and XPUB.

Life Hacks is part of Het Nieuwe Instituut’s fellowship program around the theme of ‘burn out’. As 2017 fellow Ramon Amaro states, “on the one hand, to ‘burn out’ is to stall, break, or become otherwise unusable. In other words, processes, procedure and participation simply stop working. On the other hand, ‘burn out’ is an opportunity to break open, promote action and catalyse change towards new structures and relations.” Life Hacks manifests in a series of gatherings that respond to this ambivalence by exploring the approaches and techniques adopted to design or redesign life against the backdrop of growing precarity and an intensified entrepreneurial regime. Together with theorists, practitioners and XPUB, the Experimental Publishing program of the Piet Zwart Institute, Life Hacks looks into the tensions and releases that emerge from the constant reinvention and progressive self-optimization necessary to inhabit public and private space, manage time and productivity, and tweak one’s own thoughts and feelings.

———————————————————————————————————————————

Info here

Image credit: Life Hacks: Introducing Iris (XPUB Special Issue #07)

Date: Thursday, 13 December 2018 Time: 19:30 – 21:30 Location: Het Nieuwe Instituut, Museumpark 25  |  3015 CB Rotterdam Entrance:  Free... Lees verder

The Piet Zwart Institute will be open for new applications starting on December 1, 2018.

Due to the quantity of applications the Piet Zwart Institute Master programs receive, regulations regarding immigration, and international opportunities to apply for study funding, we strongly encourage you to apply early.

March 1, 2019: Final deadline for non-EU applicants and priority deadline for EU applicants. May 1, 2019: Final deadline for EU applicants. Open house: Saturday, February 9, 2019, 10am–3pm

The Piet Zwart Institute houses the international master programmes of the Willem de Kooning Academy at Hogeschool Rotterdam. Named after the pioneering Dutch designer Piet Zwart, who worked experimentally across different media and contexts, our institute offers a rich combination of in-depth specialisation and interdisciplinary exchange in an intimate learning environment.

The programmes of the Piet Zwart Institute are located in the heart of Rotterdam’s city centre. While students and faculty come from across the globe, bringing with them a variety of cultural influences, there are also strong connections to the city, its complex history and dynamic urban environment.

We have five master programmes: Fine Art, Interior Architecture: Research + Design, Experimental Publishing, Lens-Based Media, and the Master Education in Arts. All are founded on a shared interest in the complex social, cultural and political underpinnings of each discipline. Through a uniquely tailored curriculum combining collective learning, intensive individual tutorial support, practice-based research and theoretical inquiry, our programmes educate young professionals who have a critically reflective and imaginative approach to their work.

As an educational institute the notion of “making public” is core to our activities. These public moments are an important resource for students, faculty members and guests, serving as a bridge to the city, a framework for exploring timely and relevant issues, and building a community around areas of interests. Exhibitions, symposia, conferences and publications expand our research beyond the confines of academia, while simultaneously valuing the very necessary speculative space for reflection and knowledge building that is only made possible through the rigorous academic framework of the Piet Zwart Institute.

Apply to the Piet Zwart Institute

Image by L. Robbins, Master Lens-Based Media.

The Piet Zwart Institute will be open for new applications starting on December 1, 2018. Due to the quantity of applications the Piet Zwart... Lees verder

Date: Thursday, 22 November 2018 Time: 19.30 – 21.30 Location: Het Nieuwe Instituut, Museumpark 25  |  3015 CB Rotterdam

Free entrance, registration via Tickets, register here: https://www.eventbrite.nl/e/tickets-life-hacks-time-52607017004

What did time look like before the uniformity brought by networked devices? Is the circadian rhythm obsolete? How is software shaping and in turn being shaped by different understandings of temporality? What if wasting time on videogames is actually a productive and edifying habit?

With a remote contribution by Italian designer Michele Galluzzo, and together with Dutch designer Rik Laging, “neurophysical designer” Luis Rodil-Fernandez, a delegation of the Techno-Galactic Guide to Software Observation (Hans Lammerant, Mia Melvaer and Martino Morandi) and  XPUB (the Experimental Publishing program of the Piet Zwart Institute), we will tackle these and more questions during an evening dedicated both to the malleability and rigidity of time.

Contributors

Rik Laging (NL) is a graphic designer whose work engages with the clichés and cultures surrounding digital, more specifically, videogame culture. In his recent graduation work at the KABK (Royal Academy of Arts, The Hague) he made a video series of experiences that re-contextualizes/visits the stigma of videogames. This is done through the telling of different yet equally relatable social case studies that are home to the gaming culture of today. Currently Rik is working as freelance graphic designer and is also in frequent collaboration with fine artist Thijs Jaeger.

Michele Galluzzo (IT) attended the Master of Design science and communication at the ISIA Urbino. In 2018 he got the PhD in Design Sciences at Iuav University of Venice, with a research titling Are graphic designers still lead players? Advertising in Italy 1965 – 1985. Over the years he has held courses and lectures at the ACCA Academy of Jesi, the University of Architecture and Design of Ascoli Piceno, the CFP Bauer of Milan, the IED in Turin, the IUAV of Venice, the NABA in Milan, the Politecnico of Milan and the UNIBZ of Bolzano. Member of the editorial board of the international graphic design magazine “Progetto grafico” (AIAP Edizioni), he currently works in Milan as a graphic designer and researcher.

Luis Rodil-Fernández has studied Computer Science and years later went back to school to obtain a BA in Fine Art, continuing with a masters degree in ArtScience. In his work he proposes a critical approach to human-computer interactions and the way humans use technology to communicate with each other.

Hans Lammerant, Mia Melvaer and Martino Morandi contributed to the Techno-Galactic Guide to Software Observation (2018), which was collectively produced as an outcome of the Techno-Galactic Software Observatory (Brussels, 2017). This guide proposes several ways to achieve critical distance from the seemingly endless software systems that surround us. It offers practical and fantastical tools for the tactical (mis)use of software, empowering/enabling users to resist embedded paradigms and assumptions. It is a collection of methods for approaching software, experiencing its myths and realities, its risks and benefits.

Life Hacks

Life Hacks is part of Het Nieuwe Instituut’s fellowship program around the theme of ‘burn-out’. As 2017 fellow Ramon Amaro states, “on the one hand, to ‘burn out’ is to stall, break, or become otherwise unusable. In other words, processes, procedure and participation simply stop working. On the other hand, ‘burn out’ is an opportunity to break open, promote action and catalyse change towards new structures and relations.”

Life Hacks manifests in a series of gatherings that respond to this ambivalence by exploring the approaches and techniques adopted to design or redesign life against the backdrop of growing precarity and an intensified entrepreneurial regime. Together with theorists, practitioners and XPUB, the Experimental Publishing program of the Piet Zwart Institute, Life Hacks looks into the tensions and releases that emerge from the constant reinvention and progressive self-optimization necessary to inhabit public and private space, manage time and productivity, and tweak one’s own thoughts and feelings.

Life Hacks is curated by Silvio Lorusso, and jointly organized by HNI’s Research Department and XPUB.

Info here: https://burnout.hetnieuweinstituut.nl/en/activities/life-hacks-time

FB event here: https://www.facebook.com/events/2075120689175796/

image credit: Life Hacks: Time Rik Laging

Date: Thursday, 22 November 2018 Time: 19.30 – 21.30 Location: Het Nieuwe Instituut, Museumpark 25  |  3015 CB Rotterdam Free entrance,... Lees verder