Hogeschool Rotterdam Willem de Kooning Academie

Experimental Publishing and Lens-Based News

Experimental Publishing and Lens-Based News

Date: 17th of JulyTime: 15:00 – 21:00Locations: VARIA the mothership   |     Nieuwe Charlois   |  RIB    |   Ateliers M42   |   The Pole 

BLUE LINKS

Blue is the sky, blue is the ocean. Blue is our mood (sometimes). Blue are the paths that have not yet been followed. 

The leaps, jumps, and dives that are implicit to clicking the blue links allow for traveling back and forth between states and spaces. When generating paths, we think through both collective physicality and individual domains — bound territories to be traversed.

Not so long ago, we sat inside, looking through the window, thinking about the outside. Today we welcome you to look through our windows from the outside, as they open from within. Grab your map and go on a journey, follow these links that connect us. Roam around the array of works, existing not only as single fractions but also as part of a collective.

Nothing exists in isolation, without pathways of convergence, overlap or synchronicity. We are all linked, connecting in-between and with each other. 

Blueness dissolves upon activation.

➔ ➔ ➔ ➔ ➔ ➔ ➔ ➔ ➔ ➔ ➔ ➔ ➔ ➔ ➔ ➔ ➔ 

Experimental publishing – graduation show 2021 |   BLUE LINKS

“Unbothered, moisturized, happy, in my lane, focused, flourishing.”

➔ We are graduating.

Workshops \\ performances \\ exhibition \\ presentations \\ surprises \\ celebration

➔ Join us, opt out, connect, convert, go forward/back, explore, access, collapse, chat and claim.

We are different links, establishing connections in-between.

➔ We are: Mika Motskobili, Tisa Neža Herlec, Mark van den Heuvel, Clara Noseda, Anna Sandri, Max Lehmann, Ioana Tomici, Avital Barkai, Damlanur Bilgin.

Blueness dissolves upon activation.

➔ ➔ ➔ ➔ ➔ ➔ ➔ ➔ ➔ ➔ ➔ ➔ ➔ ➔ ➔ ➔ ➔ 

VARIA the mothership: (Gouwstraat 3, 3082 BA Rotterdam)   |   https://varia.zone/Nieuwe Charlois (Wolphaertsbocht 81)   |   https://nieuwcharlois.nl/over-ons/RIB (Katendrechtse Lagedijk 490B)   |   https://www.ribrib.nl/Ateliers M42 (Gouwstraat 34 a/b)The Pole (Pompstraat 40-B1)   |  https://thepole.nl/

FB event: https://www.facebook.com/events/1591457001063390

Date: 17th of JulyTime: 15:00 – 21:00Locations: VARIA the mothership   |     Nieuwe Charlois   |  RIB    |   Ateliers M42   |  ... Lees verder

A Hybrid Reality Game30th of April till the 31st of May | FREE

Something is rising in the midst of the city surrounding us. In between the many microcosms of the infinitely unfinished city of Rotterdam, three potential futures are emerging in the nebulous atmosphere. A city mirroring a constant construction site opens up doorways to realities close enough to sense. The realities of the year 2041.

In a game of chance, players are led to a series of geographical locations, to try and unlock artefacts of the societies of Zhōuwéi Network. In the form of an ephemeral soundscape, EARTHRISE infiltrates your perception of the changing sceneries you find yourself in as you follow the directions of the game makers. As you surrender to the game, your destined path will unravel before you. Do you feel at home in your own reality? What about the one you are moving towards?

Playable now mobile only on https://earthrise.zhouwei.network/Zhōuwéi Network is a worldbuilding research umbrella that explores the design of affective undertones in different speculative future societies, in dialogue with currently emerging technocultural developments. The fiction series ‘Embodied ambitopias’ (2021) zooms in on hypothetical mind-body exercises, combined with speculative interfaces and contrasting rhetorics to shed light on the differences, as well as the occasional similarities, between the three worlds.

Liminal Vision is a creative collaboration between Victor Evink (s x m b r a) and Emilia Tapprest (nvisible.studio). Their project Zhouwéi Network is currently showcased at Zero Emissions by 2099, in MAMA, curated by Mary Ponomareva.

With contributions by Gill Baldwin, Camilo García Aycardi & Federico Poni. Produced by Erik Peters, Ruta Genyte & Louisa Teichmann in collaboration with MAMA and Mary Ponomareva.

A Hybrid Reality Game30th of April till the 31st of May | FREE Something is rising in the midst of the city surrounding us. In between the... Lees verder

In recent decades, our engagement with the world has become increasingly virtual. This shift has profoundly affected our relationship with and understanding of images. The global pandemic has exacerbated the situation: we now interact with the world almost exclusively through images on screens. In discussions of how the new reality is affecting people’s everyday lives, however, surprisingly little attention is paid to the role of the lens in shaping our new virtualized “being in the world.”

The artworks brought together in the exhibition Performing the Lens, all produced by 2020 graduates of the Piet Zwart Institute either as part of their degree projects or shortly after graduation, signal a reengagement by artists with the formative power of lenses. Through reinvestigating and expanding established lens-based practices and discourse, these works explore the lens as an active tool in the construction and perpetuation of reality. Focusing on the choreography, algorithms and materiality of contemporary imagemaking, Performing the Lens stimulates new ways of being, seeing and imagining that ground us in the world again.

Artists

Andreas Drosdz

Susanna Fasciolo

Cem Altinoz

Ana Brumat

Ugo Petronin

Felix Obermaier

Mia Paller

Jue Yang

Sonia Mangiapane

Practical

Between March 29 & April 2, the works of the artists will be presented as videos. The video’s will be shared through V2_’s websiteVimeoFacebookInstagram & Twitter accounts. If you want to receive a link to the video’s directly by e-mail, please fill in the following form

More information on V2_’s page for the event.

In recent decades, our engagement with the world has become increasingly virtual. This shift has profoundly affected our relationship with and... Lees verder

The annual Piet Zwart Institute Open Day will take place online on Saturday February 6th 2021. The full program per Master Program is now online on our website.

Photo: Anna Maria Łuczak, 2020.

The annual Piet Zwart Institute Open Day will take place online on Saturday February 6th 2021. The full program per Master Program is now online... Lees verder

From Home to Home poster.

Film: From Home To Home

Director: Nguyen Ngoc Trang Thy

Script Co-writer: Vien Khau

Graphic Designer: Tran Tu Nguyen

Festival name: London Lift-Off Film Festival 2021

Festival Date: 7th Jan 2021 – 1st February 2021

Festival information.

The year is 2020. The world is fighting a pandemic. In the Netherlands, the government announces city lockdown to control the spreading of the disease. Stuck in a foreign country and longing for home, the narrator walks out one day, starting a trip hoping to find somewhere to belong. FROM HOME TO HOME” weaves together mysterious images that evoke classic science fiction cinema, such as SOLARIS and FRAU IM MONDE to convey the experience of being trapped in the uncanny and silent Netherlands while longing for home. And depicts the protagonist’s journey of finding her way home – on the wrong side of the world.

Link to purchase the film (the ticket will allow you to watch Thy’s film with other 97 films): https://checkout.liftoff.network/p3-lift-off-new-year…/

Lift-off programmes: http://thytrang.com/

From Home to Home poster.

Film: From Home To Home Director: Nguyen Ngoc Trang Thy Script Co-writer: Vien Khau Graphic Designer: Tran Tu Nguyen Festival name:... Lees verder

Live on Thursday, 10 September at 15:45 – 16:00.

Live on Friday, 11 September between 14:30 – 15:00.

The complete Agora Digitalis Program Live Stream will be here: https://ausstellungen.ufg.at/wildstate/agora-digitalis/

Pedro Sá Couto, Artemis Gryllaki, and Rita Graça, Piet Zwart Institute Experimental Publishing alumni 2020 are presenting their graduation projects at Agora Digitalis, Ars Electronica Festival 2020.

Agora Digitalis is the Interface Culture’s presentation stage at The Wild State, the Art University Campus exhibition in Linz. It is a physical and virtual place where everyone should be able to express and share their ideas, for informal learning and critical debate about developments in the arts, technology and science.

The Best Off – Live Stream Feed of the complete ’THE WILD STATE’ program will be here: https://ausstellungen.ufg.at/wildstate/

Tactical WatermarksPedro Sá Couto : Live on Thursday, 10.9.2020, at 15:45 – 16:00.

Tactical Watermarks is an online republishing platform that exists in both the clear and dark web, exploring topics such as anonymity, paywalls, archives and provenance through digital watermarks.

Syster Papyri MagicaeArtemis Gryllaki : Live on Friday, 11.9.2020, at 14:30 – 14:45.

Syster Papyri Magicae is a web-based project that unfolds the phenomenon of gender exclusions in male-dominated tech environments, aiming to discuss and activate feminist practices that respond to this issue. 

Networks of CareRita Graça : Live on Friday, 11.9.2020, at 14:45 – 15:00.

This project offers a collection of user guidelines for you to browse, dissect and analyse. Delve into the conversations with different community members and find useful templates, resources, and experiments. Let’s explore the networks of care generated together.

Live on Thursday, 10 September at 15:45 – 16:00. Live on Friday, 11 September between 14:30 – 15:00. The complete Agora Digitalis... Lees verder

Date: Friday, July 10th, 2020

Time: 19h-20h30 CEST/UTC+2

Place: https://project.xpub.nl/collectiveioning/

Occasion: ULTIMATE Extraordinary Very Special Issue Indeed

Attire: Birthday Suit or Business Casual or Casual Business or Come As You Are

The Experimental Publishing (XPUB) class of 2020 would like to invite 

you to the launch of our final publication, Collectiveioning.

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/ko ‘lek tiv yon ning/ The gathering of collective memory. A pre-literate notion of memory, in a communal way, something commemorative rather than putting a memory in a container. What we thought it was going to be changed completely. We are in that way changing our memory of what it was supposed to be. What are you able to collect? Memories? Objects? People? A collection of texts and people, collecting and composing each other? Somehow it’s not even important that we have all the knowledge, what’s important is the living, generative sense of the collection.

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Collectiveioning is a publication that collects the work generated in our time at XPUB, from collective Special Issues in the first year (Special Issues 07, 08, 09), with threads that connect to the second year graduation projects.

We will present our collective and individual research on Friday, July 10, 2020 at 19:00, followed by a Q & A session. Although the presentation will be concise and spectacular, if you miss it, a web-to-print website will remain online, where you can choose to make your own co(ll/nn)ections. You may also print out what you collect from it at your own leisure. A complete, deluxe, shelf object (i.e. a printed version) will follow in October 2020.

XPUB Class of 2020:

         Simon Browne

         Bohye Woo

         Paloma García

         Artemis Gryllaki

         Tancredi di Giovanni

         Pedro Sá Couto

         Biyi Wen

         Rita Graça

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XPUB is a two-year course that prepares students to critically engage with societal issues and social practices within the fast changing field of art, design, and cultural production. More specifically, XPUB focuses on the acts of making things public and creating publics in the age of post-digital networks. XPUB’s interests in publishing are therefore twofold: first, publishing as the inquiry and participation into the technological frameworks, political context, and cultural processes through which things are made public; and second, how these are, or can be, used to create publics.

The online launch of the Collectiveioning XPUB publication is part of Willem de Kooning’s graduate programme The Chain of Events. This programme will present the work of both Master and Bachelor alumni in the form of an online Graduation Catalogue and a Graduation Show programme that will last until the end of March 2021. The official launch of the catalogue is planned for the 17 of July 2020. For more information please visit 

https://www.wdka.nl/news-events/graduation-show-2020.

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The Collectiveioning launch is made possible with the support from Open 

Source Publishing, servus.at and lilimit. 

///

:*

Date: Friday, July 10th, 2020 Time: 19h-20h30 CEST/UTC+2 Place: https://project.xpub.nl/collectiveioning/ Occasion: ULTIMATE... Lees verder

Announcement text (MAKE SURE TO RETAIN ITALICS!!!!!11111!!!111!!!):

The Experimental Publishing (XPUB) class of 2020 would like to invite you to the launch of our final publication, Collectiveioning.

/ko ‘lek tiv yon ning/ The gathering of collective memory. A pre-literate notion of memory, in a communal way, something commemorative rather than putting a memory in a container. What we thought it was going to be changed completely. We are in that way changing our memory of what it was supposed to be. What are you able to collect? Memories? Objects? People? A collection of texts and people, collecting and composing each other? Somehow it’s not even important that we have all the knowledge, what’s important is the living, generative sense of the collection.

Collectiveioning is a publication that collects the work generated in our time at XPUB, from collective Special Issues in the first year (Special Issues 07, 08, 09), with threads that connect to the second year graduation projects.

We will present our collective and individual research on Friday, July 10, 2020 at 19:00, followed by a Q & A session. Although the presentation will be concise and spectacular, if you miss it, a web-to-print website will remain online, where you can choose to make your own co(ll/nn)ections. You may also print out what you collect from it at your own leisure. A complete, deluxe, shelf object (i.e. a printed version) will follow in October 2020.

Date: Friday, July 10th, 2020Time: 19h-2030h CEST/UTC+2Place: https://project.xpub.nl/collectiveioning/Occasion: ULTIMATE Extraordinary Very Special Issue IndeedAttire: Birthday Suit or Business Casual or Casual Business or Come As You Are

XPUB Class of 2020:

Simon BrowneBohye WooPaloma GarcíaArtemis GryllakiTancredi di GiovanniPedro Sá CoutoBiyi WenRita Graça

XPUB is a two-year course that prepares students to critically engage with societal issues and social practices within the fast changing field of art, design, and cultural production. More specifically, XPUB focuses on the acts of making things public and creating publics in the age of post-digital networks. XPUB’s interests in publishing are therefore twofold: first, publishing as the inquiry and participation into the technological frameworks, political context, and cultural processes through which things are made public; and second, how these are, or can be, used to create publics.

The online launch of the Collectiveioning XPUB publication is part of Willem de Kooning’s graduate programme The Chain of Events. This programme will present the work of both Master and Bachelor alumni in the form of an online Graduation Catalogue and a Graduation Show programme that will last until the end of March 2021. The official launch of the catalogue is planned for the 17 of July 2020. For more information please visit https://www.wdka.nl/news-events/graduation-show-2020.

The Collectiveioning launch is made possible with the support from Open Source Publishing, servus.at and lilimit.

Announcement text (MAKE SURE TO RETAIN ITALICS!!!!!11111!!!111!!!): The Experimental Publishing (XPUB) class of 2020 would like to invite you... Lees verder

We are seeing the world being potentially transformed by the massive popular resistance to racism and anti-black violence that has been prompted by recent displays of racist brutality. The master’s courses of the Piet Zwart Institute stand in support of movements for racial justice around the world and we hold ourselves accountable to address the urgent demands being issued through protests and community-led actions. We recognize that to stand in solidarity with this movement is to commit to do the work of reflecting its aims of justice and equity within our educational and creative community. We must continue to support and empower diverse perspectives. We must deepen our commitment to making our resources more accessible to a local and an international student body. We must platform voices of resistance and amplify their work through our curricula and programming. And we will continue to engage in active and persistent dialogue and self-critique. We remain committed to manifesting the transformative change we hope to see in the world as educators, artists, and designers. Black Lives Matter.

We are seeing the world being potentially transformed by the massive popular resistance to racism and anti-black violence that has been prompted... Lees verder

Image credits: Anna Sandri, Damlanur Bilgin.

From the other side of the world, we were given data about a past dictatorship threatening to reinstate itself. A portion of an archive that exists to keep history truthful and educate the present, the recurrent time of political urgency and authoritarian repression. We were entrusted to secure it, manage it, and publish it anonymously. We cannot share the archive itself, but we can share our stories (experiences) and process (tools, methods) at this collectively assembled website: https://issue.xpub.nl/11/index.html 

Special Issue #11 Post-Digital Itch  Master of Arts in Fine Art and Design Experimental Publishing, Piet Zwart Institute January–April 2020 Archivists: Anna Sandri, Avital Barkai, Clara Noseda, Damlanur Bilgin, Ioana Tomici, Mika Motskobili, Mark van den Heuvel, Max Lehmann, Sandra Golubjevaite, Tisa Neža Herlec Workshops: <Digital Activist>, Mayday Rooms (Rosemary Grennan, Jan Gerber), OSP (Stéphanie Vilayphiou, Pierre Huyghebaert) Contributors: Jérémie Zimmermann, Monoskop (Dušan Barok), Warp and Weft of Memory (Cristina Cochior, Renée Turner) Teachers: André Castro, <teacher>, Sami Hammana, Aymeric Mansoux, Michael Murtaugh, Leslie Robbins, Steve Rushton In collaboration with Het Nieuwe Instituut, Stichting NAC, <Archival Institution>, and <Digital Advocacy Group>.

Looking forward, into the future. 

Your XPUB1.

Image credits: Anna Sandri, Damlanur Bilgin. From the other side of the world, we were given data about a past dictatorship threatening... Lees verder