Hogeschool Rotterdam Willem de Kooning Academie

Categorieën (Wat)

Categorieën (Wat)

Date: Saturday, 02 March 2019

Time: 11:00 – 17:30, closing ceremony 20:30 /21:00 VR and Vjing

PZI screenings: 13:30 – 14:45

Location: Eye Filmmuseum, IJpromenade 1, 1031 KT Amsterdam

Eye on Art’s Research Labs provide scope for a new generation of curators and artists to hone their skills. Students from different art academies and universities are asked to put together a programme featuring their own work and films (including remixes) from Eye’s collection. Research Labs do not follow a strict format and often result in a cultural crossover between film and other art forms.

The programme of the day:

11.00 Rietveld Academy Wildness

12:15 Sandberg Institute Catalogue

13:30 Piet Zwart Institute Disobedient Narratives

14:45 Leiden University Cinematic Reflections

16:00 St. Joost Academy Unintended

17:15 KABK Cinema as a Dream

The best curated programme and the best work will be awarded by a student jury and a jury of Eye film professionals in a closing ceremony at 20.30.

At 21.00 the VJ Academy will close the day with the programme “Spacechangers” including 3D projection mapping, VR and Vjing.

++++++++++++++++++++++

Disobedient Narratives

From the smooth surface of chaos, to the purple hues of desert; from a day at the news stand, to a day of the troop’s return; from a poem to a memory to a dream to a failure to recall. A television breaks. A bell rings. A photograph becomes a moving image. What happens? Where will the dark pulses send us? Whose wistful whisper fills our skin with regret?

In this program of sixteen short films, makers from the Piet Zwart Institute interpret non-linearity on the screen. Fragments adhere. Entities emerge. Silence begets curiosity before reality shatters again. As the hour forks into a universe of thoughts and experiences: do we follow the command, or do we shut our eyes?

From the smooth surface of chaos, to the purple hues of desert. From a day at a neighbourhood news stand, to a day of the troop’s return; a poem to a memory, to a dream to a failure to recall. A television breaks. A bell rings. A photograph becomes a moving image. What happens? Where will the dark pulses send us? Whose wistful whisper fills our skin with regret?

In this program of sixteen short films, makers from the Piet Zwart Institute interpret non-linearity on the screen. Fragments adhere. Entities emerge. Silence begets curiosity before reality shatters again. As the hour forks into a universe of thoughts and experiences: do we follow the command, or do we shut our eyes?

facebook: https://www.facebook.com/events/1011190542405780/

More details to be found here: https://www.eyefilm.nl/film/agenda/2019-03-02

Image credit: Andreas Drosdz

Date: Saturday, 02 March 2019 Time: 11:00 – 17:30, closing ceremony 20:30 /21:00 VR and Vjing PZI screenings: 13:30 – 14:45 Location:... Lees verder

Time: Thursday November 8, 19.00 – 21.30 hrs Location: Willem de Kooning Academy, Piet Zwart Institute, entrance Wijnhaven 61, 4th floor, large project space (W.4.320). Admission: Free, but because of a maximum number of participants (25), please register via demsm@hr.nl

Hereby the Master Education in Arts cordially invites you to participate in the lecture/workshop Un/Chronological Timelines by Lineo Segoete from Another Roadmap to Arts Education. Another Roadmap for Arts Education is an international network of practitioners and researchers working towards art education as an engaged practice in museums, cultural institutions, educational centres and grass-roots organisations in twenty-two cities on four continents. They view arts education as deeply embedded in social and political contexts – but also as a possibility to question and transform the social. Within the lecture/workshop, working in groups, participants engage with histories of arts education from different locations and their relations.

Lineo Segoete is co-founder and co-director of Ba re e ne re Literary Arts, an NGO in Lesotho, which promotes critical literacy creative writing and storytelling. She is also co-convener of the Another Roadmap to Arts Education / Africa Cluster, freelance writer, knowledge-management consultant and a 2016/2017 Hubert H. Humphrey Fellow from Vanderbilt University in the USA. Lineo Segoete is a woman-child who engages in various forms of storytelling including writing, research and photography. Her restlessness drives her to wander in places and the head spaces of other Homo sapiens, in search of knowledge and understanding. Her curiosity and inquisitivity make her a lifelong scholar who likes love and beautiful things but also a sceptic and questioner of things.

The idea of making the Un/Chronological Timelines workshop into a card game evolved from an exercise introduced at a workshop within the Vienna Arts Education Festival in October 2017. During the game a temporary interactive timeline is constructed by the participants, including information from their own contexts. Such timeline has an un/chrono/logical character, because the elements of it are not fixed. New connections between cards are established every time they are played with. The way history is represented keeps changing and evolving and is open to be questioned, de- and re-constructed and represented in new ways. 

The workshop is presented by the Master Education in Arts, Piet Zwart Institute, Willem de Kooning Academy in collaboration with Annette Krauss and Casco Art Institute’s First Annual Assembly for commoning art institutions.

See: http://casco.art/en/program/more

Time: Thursday November 8, 19.00 – 21.30 hrs Location: Willem de Kooning Academy, Piet Zwart Institute, entrance Wijnhaven 61, 4th floor, large... Lees verder

Date: Wednesday, 31st of October 2018 Time: 19:00 – 21:00 Location: Varia (http://varia.zone/), Gouwstraat 3 3082 BA, Rotterdam

What shapes the daily routine of a telemarketing sales agent? How to go beyond the co-working model when it comes to organize a place for collaboration? What’s the territorial and political role of furniture within the semi-domestic area of the artist’s studio? Are life hacks a form of liberation or yet another burden? Together with author and designer François Girard-Meunier, the WORKNOT! collective (Arvand Pourabbasi and Golnar Abbasi), Varia, the Centre for Everyday Technology (represented by Roel Roscam Abbing, Manetta Berends and Niek Hilkmann) and XPUB (the Experimental Publishing program of the Piet Zwart Institute), we will tackle these and more questions during an evening dedicated to spaces that are at once entrepreneurial and precarious.

Life Hacks is part of Het Nieuwe Instituut’s fellowship program around the theme of ‘burn out’. As 2017 fellow Ramon Amaro states, “on the one hand, to ‘burn out’ is to stall, break, or become otherwise unusable. In other words, processes, procedure and participation simply stop working. On the other hand, ‘burn out’ is an opportunity to break open, promote action and catalyse change towards new structures and relations.” Life Hacks manifests in a series of gatherings that respond to this ambivalence by exploring the approaches and techniques adopted to design or redesign life against the backdrop of growing precarity and an intensified entrepreneurial regime. Together with theorists, practitioners and XPUB, the Experimental Publishing program of the Piet Zwart Institute, Life Hacks looks into the tensions and releases that emerge from the constant reinvention and progressive self-optimization necessary to inhabit public and private space, manage time and productivity, and tweak one’s own thoughts and feelings.

Life Hacks is curated by Silvio Lorusso, and jointly organized by HNI’s Research Department and XPUB.

Roel Roscam Abbing (NL) is an artist and researcher whose work engages with the issues and cultures surrounding networked computation. He engages with themes such as network infrastructures, the politics of technology and do-it-yourself approaches. He holds an MA Networked Media from the Piet Zwart Institute in Rotterdam and a Fine Arts BA from the Willem De Kooning Academy. Currently he also works as a teacher in Digital Media at the department of Graphic Design in Artez, Arnhem. He is also a member of the homebrewserver.club and Varia. https://roelof.info

Manetta Berends (NL) is a graphic designer with an interest in networked publishing & free software. Her practice is rooted in practical investigations into the sociality of software related to publishing infrastructures. Besides working on commissions, projects and workshops, Manetta is also member of Varia. https://www.manettaberends.nl

François Girard-Meunier (CA/NL) is interested by the performativity and politics of labour in the contemporary western post-fordist context. Graduated from the Graphic Design department of the Gerrit Rietveld Academie (2015) and the Critical Studies department of the Sandberg Instituut (2018), he works mainly in the cultural field as a designer, web developer, writer and so on. Recent projects include Flexible Bodies (2017), at the Tallinn Photomonth 17, and Talent at Work (2017), in collaboration with Mirjam Reili and re-published in the context of Signals From The Periphery (EE). He is based in Amsterdam, where he runs the Office for Workspace Studies and self-publishes. http://www.francoisgm.com/

Niek Hilkmann (NL) is an artist with a background in media design, art history and musicology. After graduating from the Piet Zwart Institute in Rotterdam, he started collaborating with various institutes, designers and artists on the fringe of speculative design, science fiction, media archeology and extratonal music. Besides being the curator of events such as “Floppy Totaal” and “De Grote Hoop”, he is also one of the core members of Varia, the conductor of an amateur avant-garde orchestra, the editor of the UNI Graphical Notation System, a part-time dodologist and the creator of one of the first moving panoramas since the nineteenth century. https://niekhilkmann.nl/

Varia (NL) is a Rotterdam based initiative focused on working with, on and through everyday technology. At its core the initiative aims to be a social infrastructure from which to collaboratively facilitate critical understandings on the technologies that surround us. The initiative is a membership-based organisation striving to become a space for questions, opinions, modifications, help and action. http://varia.zone/

WORKNOT! (NL/IR) is a Rotterdam-based independent open collective that works to create a platform for the representation of the life and work of today’s cognitarians. It works with seemingly banal, yet extreme (and political) conditions that shape our today’s contemporary forms of living and working. The collective consists of Arvand Pourabbasi and Golnar Abbasi, researchers/designers/makers with a background in architecture and art. Since its foundation in Tehran (2012), it has worked in a variety of context through a broad range of collaborations, and has created workshops, exhibitions, performances, images, writings, lectures and publications. https://worknot.info/

Cover image: François Girard-Meunier

Read on: http://networkcultures.org/entreprecariat

http://silviolorusso.com

Date: Wednesday, 31st of October 2018 Time: 19:00 – 21:00 Location: Varia (http://varia.zone/), Gouwstraat 3 3082 BA, Rotterdam What shapes... Lees verder

Master Education in Arts – Graduation Presentation 2018 Pedagogy in Context Symposium Reading Room

Friday & Saturday July 6 – 7: Symposium Pedagogy in Context, TENT. (live screened in the Reading Room). TENT., Auditorium, Witte de With straat 50. July 6: 11.00 – 20.00 hrs (drinks afterwards) July 7: 11.00 – 17.00 hrs

July 4 – 8: Reading Room, WdKA, Piet Zwart Institute, 4th floor, Wijnhaven 61. Opening 4 July: 17.00 – 23.00 hrs July 5 – 6: 11.00 – 23.00 hrs July 7 – 8: 11.00 – 18.00 hrs

The Master Education in Arts of the Piet Zwart Institute cordially invites you to her Graduation Presentation 2018 taking place at two locations this year: the Willem de Kooning Academy and TENT. Rotterdam. The graduation projects of the students are presented adopting two different formats: the symposium Pedagogy in Context, hosted by TENT., and a Reading Room at the Willem de Kooning Academy, both being part of the WdKA Graduation Show 2018.

The symposium Pedagogy in Context at TENT. consists of workshops, presentations, performances and discussions. It introduces the diverse experimental contexts and research methodologies of the students’ graduation projects as well as the diversity of their educational practices. Visitors are invited to participate in an open discussion on the urgencies of contemporary art/design education. The Reading Room at the WdKA offers a space where visitors can access the students’ research projects, as well as the ‘living archives’ of their theoretical and practice-based research. There is also a live screening of the symposium.

Participating students: Susana Carvalho, Fieke Dieleman, Felix Dorer, Marianne van Horssen, Emily Huurdeman, Amy Pickles, Desiree Kerklaan, Marian Ouwerkerk, Marine Poyard, Benjamin van der Spek, Maarten de Vugt and Viki Zioga.

Detailed information about the symposium program will be released soon on this website and our graduation website: http://meia.pzwart.nl

Full programme Symposium

Master Education in Arts – Graduation Presentation 2018 Pedagogy in Context Symposium Reading Room Friday & Saturday July 6 – 7: Symposium... Lees verder

Research and Experimentation in Art and Design Education

The Master Education in Arts is two-year 60 ECTS part-time programme specifically developed for working practitioners/educators. The course has an interdisciplinary focus, allows for experimentation, is taught in English and accepts students from the Netherlands and within the EU at large. The programme explicitly connects theory and practice, focusing on contemporary issues that span different practices and discourses: education, pedagogy, art, design, cultural theory, digital cultures, public practices, education philosophy, museum education and so forth. Classes are taught on Friday and Saturday every two weeks at Piet Zwart institute on the 4th floor of the WdKA/Wijnhaven.

The curriculum is designed for educators in the field of secondary/vocational and higher art and design education, museum educators and artists and designers with an interest in pedagogical/public practices. We also explicitly welcome cultural professionals working within and outside and institutional environment (workshops, labs, et cetera). Peer learning and being part of learning community exchanging knowledge and experiences, is a key feature of our programme. The course prepares graduates to engage with formal educational structures as well as informal learning environments.

Application deadline: May 15

Research and Experimentation in Art and Design Education The Master Education in Arts is two-year 60 ECTS part-time programme specifically... Lees verder

Calling all students vandalizing encrypted regulation, shareholders performing cross authoritarian browsers, publics scanning sub-granular carpets, terrorists deciding multi-distributed HTML pages, professionals seeing industrial advertising, programmers destroying vertical terrorism, cats running inter-version-controlled food, authors listening to craft architectures, celebrities developing online blogs, architects feeling avant-libre feeds, stenographers sending super-decentralised image boards, adults debating inclusive dances, victims bragging about retro-capitalist graffitis, livecoders exchanging post-dark radio, tourists lying about liberal maps, visitors whistleblowing shared theatre, makers tweeting digital markets, preachers divulging xeno-agonistic apps, monkeys dealing capitalist teaching, networks provoking bootleg viruses.

DEADLINE May 15

https://xpub.nl

Calling all students vandalizing encrypted regulation, shareholders performing cross authoritarian browsers, publics scanning sub-granular... Lees verder

Wednesday 11 April, 18:00, Room W.4.320Piet Zwart Institute, Wijnhaven 61, 3011 WJ Rotterdam

The Master of Interior Architecture: Research + Design  is pleased to announce a new lecture for its 2018 public programme.

Shumi Bose is a teacher, curator and editor based in London. She is Senior Lecturer and Coordinator of Contextual Studies in Architecture at Central Saint Martins in London. She is also a curator of exhibitions at the Royal Institute of British Architects (RIBA). In 2017, Shumi curated Pablo Bronstein: Conservatism, or The Long Reign of Pseudo Georgian Architecture at the RIBA. With Finn Williams and Jack Self, she also co-curated Home Economics, for the British Pavilion at the 2016 Venice Biennale of Architecture. Recent publications (as editor) include Four Walls and A Roof: The Complex Nature of a Simple Profession (with Reinier de Graaf; Harvard University Press, 2017), Home Economics (The Spaces, 2016), and Wherever You Find People: the Radical Schools of Oscar Niemeyer, Leonel Brizola and Darcy Ribeiro (with Aberrant Architecture; Park Books, 2016).

 

 

[Image: Home Economics, British Pavilion, Venice Architecture Biennale, 2016]

Wednesday 11 April, 18:00, Room W.4.320, Piet Zwart Institute, Wijnhaven 61, 3011 WJ Rotterdam The Master of Interior Architecture: Research... Lees verder

Wednesday 28th March 2018 Doors Open: 19:00 Time: 19:30 Location: Worm, Boomgaardsstraat 71, Rotterdam Free Admission

Special Issue 5 – OuNuPo – Ouvroir de Numérisation Potentielle, the workshop of potential digitisation

The Media Design Experimental Publishing Master course (XPUB) of the Piet Zwart Institute, Manetta Berends & Cristina Cochior (Varia) and the WORM Pirate Bay invite you for an evening of book scanning, short presentations, discussions and software experiments in the context of text digitisation and processing.

The term OuNuPo is derived from OuLiPo (Ouvroir de littérature potentielle), founded in 1960. OuLiPo is a mostly French speaking gathering of writers and mathematicians interested in constrained writing techniques. Notable members were Georges Perec and Harry Mathews. One of the notable techniques used by the group is the lipogram; which generates texts where one or more letters have been excluded. OuLiPo eventually led to OuXPo to expand these creative constraints to other practices (OuCiPo for film making, OuPeinPo for painting, etc.). In the same spirit, XPUB launches OuNuPo, Ouvroir de Numérisation Potentielle, the workshop of potential digitisation, turning the book scanner as a platform for media design and publishing experiments.

OuNuPo has been employed as a means to reflect on several topics such as: how culture is shaped by book scanning? Who has access and who is excluded from digital culture? How free software and open source hardware have bootstrapped a new culture of librarians? What happens to text when it becomes data that can be transformed, manipulated and analysed *ad nauseam*?

To answer these questions, the XPUB team have written software and assembled a unique printed reader, informed by critical and feminist research methodologies and that explore the themes of the digital transfer of cultural biases, Techno/Cyber/Xeno-Feminism, orality in the context of knowledge sharing, shadow libraries, database narratives, gender and future librarians. The content of the reader will be scanned by a DIY book scanner built in the past months, and processed by different software processes and performances written by the XPUB practitioners, from chat bots to concrete poetry generators and speech recognition feedback loops.

Click here for more information

Image Credit: Detail of a Graph by Angeliki Diakrousi and Alex Roidl

Wednesday 28th March 2018 Doors Open: 19:00 Time: 19:30 Location: Worm, Boomgaardsstraat 71, Rotterdam Free Admission Special Issue 5 –... Lees verder

PUBLISHING AS PRACTICE With Mounira Al Solh, Delphine Bedel, Alex Roidl, Zalán Szakács, and Joca van der Horst In collaboration with Piet Zwart Institute, Master Media Design: Experimental Publishing, Rotterdam Curated by Delphine Bedel and Docus van der Made. Date: 30 March 2018, 12:00 – 17:00h Location: Stedelijk Museum Schiedam

Part I: Masterclass: 12:00 – 14:30h. Tickets €7,50- (€5,- for students). Reservation required, limited seats. Part II: Artists talks: 15:00 – 17:00h. Tickets €5 (€3,50 for students). Open to all, reservation recommended. Combination ticket: €10 (€7,50 for students)

‘Publishing As Practice’ is a Friday afternoon programme celebrating self-publishing in all its forms, organised as part of the series “de Volkskrant Beeldende Kunst Prijs INTRODUCES…”. Together with the invited artists and designers we will explore models of production and distribution of books, printed matter, and multiple digital formats.

Discussing the new publishing culture of self-publishing, book fairs, and curated bookshops, the program with touch on oral histories, tales of resilience, language, migration and war, feminism and education, urbanism and political struggles. Publications presented address urgent contemporary issues, and bring forward the potential of publishing as practice.

PROGRAMME

Part I, 12:00 – 14:30h Self-Publishing Masterclass by Delphine Bedel

Tools for contemporary self-publishing practices, modes of operating in, and points of departure for self-publishing. Limited seats, reservation required via info@stedelijkmuseumschiedam.nl (please reference ‘masterclass’ in your reservation).

Part II Project Presentations

15:00 – 15:20h ‘A Bed, a Chair and a Table’ Presentation by Alex Roidl, Zalán Szakács, and Joca van der Horst Project realised within Master Design: Experimental Publishing at the Piet Zwart institute. This publication about the Poortgebouw, a former squat and vibrant living community in South Rotterdam. To book interlaces oral histories with material from various institutional and personal archives to bring together tales of resilience, political struggle, frustration and friendship as a new perspective on both Poortgebouw’s unique history and its importance in the contemporary city.

Students share insights on their practice and collaborative process to develop the publication. Conversation will cover engagement with cultural heritage and archiving practices.

15:20 – 16:00h ‘Why Publish?’ Artist talk by Delphine Bedel Bedel will discuss her practice as artist/publisher, showcasing different projects and her publishing house Meta/Books. Her principal topics of interest are media, cultural representation, feminism and the global circulation of images. She founded Meta/Books to empower creatives to self-publish. Meta/Books promotes expanded publishing practices from print to digital, questioning the way information is displayed and manipulated through the publishing process.

16:00 – 16:40h ‘NOA (Not Only Arabic) magazine’ Artist talk by Mounira Al Solh Mounira Al Solh will present her recent projects for Documenta 14 and her magazine NOA (Not Only Arabic). In her studio in Beirut, over the past years Al Solh has hosted talks by artists and started NOA (Not Only Arabic) magazine, a journal where artists and writers are invited to send in their thoughts, texts and images by invitation from the artist and guest-editors. NOA magazine does not get distributed and gets published on an irregular basis.

Ticket reservations possible via info@stedelijkmuseumschiedam.nl (please reference for which part(s) you’re reserving).

The series VKBK-prijs INTRODUCES… is a component of the exhibition with the nominees for the Volkskrant Visual Art Award 2018, on view at Stedelijk Museum Schiedam until 15 April.

Biographies

Delphine Bedel is an artist, publisher, lecturer and Creative Director of Meta/Books. Bedel has contributed to the emergence of a new publishing culture that splices together photography, art, and design, and empowers a new generation of artists to self-publish.

XPUB is a two-year Media Design Master course that prepares students to critically engage with societal issues within the fast changing field of art, design and cultural production.

Mounira Al Solh is a multidisciplinary artist whose work has been shown internationally, such as in solo shows at Sfeir-Semler Gallery in Beirut and Hamburg, the Stedelijk Museum Bureau in Amsterdam, CCA Glasgow, at the KW in Berlin, and Kunsthalle Lissabon, and most recently at the Documenta 14 and the Art Institute of Chicago.

PUBLISHING AS PRACTICE With Mounira Al Solh, Delphine Bedel, Alex Roidl, Zalán Szakács, and Joca van der Horst In collaboration with Piet Zwart... Lees verder

March 9 – March 1

TENT Rotterdam Witte de Withstraat 50, 3012 BR Rotterdam, Netherlands

Opening of the exhibition Excavating Empathy, the result of a week-long workshop led by artist Shimon Attie around the topic of empathy. Students of the Piet Zwart Institute will set-out on a journey to take a closer look at the stories hidden underneath the fabric of our personal, sociopolitical, and communal landscape within the context of Rotterdam and create new work. The exhibition is on view during the weekend.

Participating Artists: Ana Buljan Shraddha Borawake Günce Çavuşoğlu Ryan Cherewaty Dorothee Cheung Thomas Galvan Catalina Giraldo Lotte de Jong Fabian Landewee Sigrun Lydsdottir Matheline Marmy Sal Miranda Rossella Nisio Marta La Torre Rubio Szu-Yi Wang

 

 

March 9 – March 1 TENT Rotterdam Witte de Withstraat 50, 3012 BR Rotterdam, Netherlands Opening of the exhibition Excavating Empathy, the... Lees verder