Hogeschool Rotterdam Willem de Kooning Academie

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Categorieën (Wat)

Image credits: Anna Sandri, Damlanur Bilgin.

From the other side of the world, we were given data about a past dictatorship threatening to reinstate itself. A portion of an archive that exists to keep history truthful and educate the present, the recurrent time of political urgency and authoritarian repression. We were entrusted to secure it, manage it, and publish it anonymously. We cannot share the archive itself, but we can share our stories (experiences) and process (tools, methods) at this collectively assembled website: https://issue.xpub.nl/11/index.html 

Special Issue #11 Post-Digital Itch  Master of Arts in Fine Art and Design Experimental Publishing, Piet Zwart Institute January–April 2020 Archivists: Anna Sandri, Avital Barkai, Clara Noseda, Damlanur Bilgin, Ioana Tomici, Mika Motskobili, Mark van den Heuvel, Max Lehmann, Sandra Golubjevaite, Tisa Neža Herlec Workshops: <Digital Activist>, Mayday Rooms (Rosemary Grennan, Jan Gerber), OSP (Stéphanie Vilayphiou, Pierre Huyghebaert) Contributors: Jérémie Zimmermann, Monoskop (Dušan Barok), Warp and Weft of Memory (Cristina Cochior, Renée Turner) Teachers: André Castro, <teacher>, Sami Hammana, Aymeric Mansoux, Michael Murtaugh, Leslie Robbins, Steve Rushton In collaboration with Het Nieuwe Instituut, Stichting NAC, <Archival Institution>, and <Digital Advocacy Group>.

Looking forward, into the future. 

Your XPUB1.

Image credits: Anna Sandri, Damlanur Bilgin. From the other side of the world, we were given data about a past dictatorship threatening... Lees verder

The annual Piet Zwart Institute Open Day will take place on February 1st 2020, from 10.00 until 15.00.

Throughout the day both the Willem de Kooning Academy (WdKA) and the Piet Zwart Institute (PZI) Master studio spaces will be open to the public. It is a day when many PZI staff and students are present to field your questions. Some Masters hold presentations, and it is also a time when the ten WDKA stations located throughout the WdKA Blaak 10 and Wijnhaven 61 Buildings are open for you to roam in and out of, giving you a better idea of our current facilities.

The Masters Interior Architecture: Research + Design, Education in Arts; Experimental Publishing; Lens-Based Media and Master Design are located in the Wijnhaven 61 building on the fourth floor and the Master Fine Art is located in the KDH building, Karel Doormanhof 45.

In addition to this year’s open day, the Master Fine Art welcomes you to visit the Karel Doormanhof 45 building during their Open Studios event on February 8th 2020, as a part of Art Rotterdam.

For further information about the Piet Zwart Institute, please contact us via:

Phone (Monday to Thursday): +31 (010) 794 7405 and  +31 (010) 794 7401 E-mail: pzwart-info@hr.nl

We strongly advise you to visit us during our open day.

If you are not able to join us it may be possible to make an appointment for an individual visit. Please note, we cannot guarantee this option, due to the limited time between now and the approaching application deadlines.

Application Deadlines:

March 6, 2020: Priority deadline for completed applications of Dutch and EU applicants. And, Final deadline NON EU applicants.

April 24, 2020: Final deadline for completed applications of all EU/EEA applicants.

Note: the Master Design follows a different application process. Find more on our website.

Mailing list Each department sends regular email announcements for its public events. If you would like to be on this mailing list, please send an email to pzwart-info@hr.nl and refer to the Piet Zwart Institute public programme mailing list.

The annual Piet Zwart Institute Open Day will take place on February 1st 2020, from 10.00 until 15.00. Throughout the day both the Willem... Lees verder

Thursday 12 December 2019 | open: 20:00 | start: 20:30 | end live sets: 23:00

Location: DE PLAYER – Hillelaan 49D, RotterdamAdmission: €8,- | Students: €6,-

Facebook event

DE PLAYER and Experimental Publishing XPUB / Piet Zwart Institute present:INPUT/OUTPUTA night about new interfaces for sound and performance arts

with: Roc Jiménez de Cisneros (EVOL) and the students of Experimental Publishing — It is time for printed circuit boards (PCB’s), patterns, deformation, imitation, stretching, remoteness, alphabets, notification, phonetics and more. Together with the students of the The Piet Zwart Institute Experimental Publishing course, we are stepping into an unstable and unknown area in which the processes and challenges for the artist are equal to those for the audience. During this evening we will present the results of a collaborative seminar on modules, in combination with different specific tools designed by Roc Jiménez de Cisneros from EVOL and other artists. This event is part of our research project ‘)HRHED(‘, in which we investigate new social and artistic interfaces for sound and performance arts. Recently, together with Spatial Media Laboratories (SML), we presented a workshop on interfacing inaudible phenomena. In our program for next year we have already scheduled full event presentations of new works, together with ITU (Anni Puolakka & Miša Skalskis), Evelin Brosi and Caz Egelie, who are also part of this research project. — ■ Roc Jiménez de Cisneros will present a brand new EVOL project called ‘SOUP’, a MIDI sequencer based on Hanne Darboven’s 1984 Opus 17A – a piece EVOL has been reworking multiple times since about five years ago, and this one is likely to be their last version. ‘SOUP’ is a little box that plays the original sequence of notes in Darboven’s piece, and lets you modify it by tweaking six knobs that alter a number of things such as length (from one note to the whole score), speed (from regular to f*cked *p) and so on… Basically, you can either play it conservatively (the same way as a pattern in an old-school synth), or play around with it and quickly turn Opus 17A into weird “techno”-sounding arpeggios and wonky sequences. In contrast to a conventional sequencer, you can not enter any notes. In that sense, the sequencer operates autonomously. It also doesn’t produce any sound on its own, but only sends out MIDI messages over USB – and it is entirely up to the user to decide what to do with them. It is a very conscious decision they made to ensure it will produce wildly different results in various hands. Only ten units have been made, all done by hand and very low-key. ■ Together with the students of The Piet Zwart Institute Experimental Publishing course, we have been researching new interfaces within the field of publishing. Over the course of one trimester, each of the students worked on their own sound module and tweaked it into their own conceptual project. No restrictions on INPUT. No restrictions on OUTPUT. This resulted into a series of ten multilingual printed circuit boards, offering different stand-alone devices which can be noodled or joined together based on customer demands. All the individual projects, as well as the whole research project, will be presented and tested on this evening. In addition to the modules, a publication is included in the form of a 30 by 30 centimeter printed circuit board containing all the background information of each individual project, plus a printed booklet with the guidelines for assembling all devices through DIY efforts. Soon available in our webshop, and during the event itself. → In below some extra liner notes to give you a glimpse of all the individual projects within this seminar: • Avital Barkai – ‘Generator’; an image maker controlled by both hardware and external sound. • Damlanur Bilgin – ‘Carbon‘; a synthesizer that uses graphite markings on paper to manipulate sound. • Sandra Golubjevaite – ’seven [‘7’]’; a straight forward .print&.read device that unfolds a poem depending on the user’s interaction with it. • Tisa Neža Herlec – ’DISTRACTION MANAGER’; a wearable “notification” generator, a stimulator for awareness, a trigger apparatus for human beings. • Max Lehmann – ‘GLARE’; an accessible, gesture controllable sound interface. • Clara Noseda – ‘remote control’; a tool for storytelling, where different narratives around the same topic can blend with each other to generate new trains of thought. • Anna Sandri – ‘VISIBILE SPEECH’; this project employs phonetic vocabularies and other oddities to visually reproduce conversations. It communicates by using constructed & non-constructed languages, human-readable and machine-readable alphabets. • Mark van den Heuvel – ‘Flakes’; an audio playback device that combines the functionalities of an analog cassette tape player and a digital sample playback module. • Ioana Tomici – ‘MODULAR LINGUISTICS’; an application based on a series of electronic objects which are programmed to speak. The words chosen to be part of its vocabularies are spoken in unison, generating new associations between terms. • Mika Motskobili – ‘TXX.uo’; a module which consolidates two contrasting radio frequency implementation modes: the RFID reader scans and sonifies the cards, while the LCD screen displays a Q-code and converts it into sound. The module also sends out binary signals. —

de player: https://www.deplayer.nl/events/de-player-experimental-publishing-xpub-present-inputoutput

Thursday 12 December 2019 | open: 20:00 | start: 20:30 | end live sets: 23:00 Location: DE PLAYER – Hillelaan 49D, RotterdamAdmission:... Lees verder

Date: Saturday, 02 March 2019

Time: 11:00 – 17:30, closing ceremony 20:30 /21:00 VR and Vjing

PZI screenings: 13:30 – 14:45

Location: Eye Filmmuseum, IJpromenade 1, 1031 KT Amsterdam

Eye on Art’s Research Labs provide scope for a new generation of curators and artists to hone their skills. Students from different art academies and universities are asked to put together a programme featuring their own work and films (including remixes) from Eye’s collection. Research Labs do not follow a strict format and often result in a cultural crossover between film and other art forms.

The programme of the day:

11.00 Rietveld Academy Wildness

12:15 Sandberg Institute Catalogue

13:30 Piet Zwart Institute Disobedient Narratives

14:45 Leiden University Cinematic Reflections

16:00 St. Joost Academy Unintended

17:15 KABK Cinema as a Dream

The best curated programme and the best work will be awarded by a student jury and a jury of Eye film professionals in a closing ceremony at 20.30.

At 21.00 the VJ Academy will close the day with the programme “Spacechangers” including 3D projection mapping, VR and Vjing.

++++++++++++++++++++++

Disobedient Narratives

From the smooth surface of chaos, to the purple hues of desert; from a day at the news stand, to a day of the troop’s return; from a poem to a memory to a dream to a failure to recall. A television breaks. A bell rings. A photograph becomes a moving image. What happens? Where will the dark pulses send us? Whose wistful whisper fills our skin with regret?

In this program of sixteen short films, makers from the Piet Zwart Institute interpret non-linearity on the screen. Fragments adhere. Entities emerge. Silence begets curiosity before reality shatters again. As the hour forks into a universe of thoughts and experiences: do we follow the command, or do we shut our eyes?

From the smooth surface of chaos, to the purple hues of desert. From a day at a neighbourhood news stand, to a day of the troop’s return; a poem to a memory, to a dream to a failure to recall. A television breaks. A bell rings. A photograph becomes a moving image. What happens? Where will the dark pulses send us? Whose wistful whisper fills our skin with regret?

In this program of sixteen short films, makers from the Piet Zwart Institute interpret non-linearity on the screen. Fragments adhere. Entities emerge. Silence begets curiosity before reality shatters again. As the hour forks into a universe of thoughts and experiences: do we follow the command, or do we shut our eyes?

facebook: https://www.facebook.com/events/1011190542405780/

More details to be found here: https://www.eyefilm.nl/film/agenda/2019-03-02

Image credit: Andreas Drosdz

Date: Saturday, 02 March 2019 Time: 11:00 – 17:30, closing ceremony 20:30 /21:00 VR and Vjing PZI screenings: 13:30 – 14:45 Location:... Lees verder

Time: Thursday November 8, 19.00 – 21.30 hrs Location: Willem de Kooning Academy, Piet Zwart Institute, entrance Wijnhaven 61, 4th floor, large project space (W.4.320). Admission: Free, but because of a maximum number of participants (25), please register via demsm@hr.nl

Hereby the Master Education in Arts cordially invites you to participate in the lecture/workshop Un/Chronological Timelines by Lineo Segoete from Another Roadmap to Arts Education. Another Roadmap for Arts Education is an international network of practitioners and researchers working towards art education as an engaged practice in museums, cultural institutions, educational centres and grass-roots organisations in twenty-two cities on four continents. They view arts education as deeply embedded in social and political contexts – but also as a possibility to question and transform the social. Within the lecture/workshop, working in groups, participants engage with histories of arts education from different locations and their relations.

Lineo Segoete is co-founder and co-director of Ba re e ne re Literary Arts, an NGO in Lesotho, which promotes critical literacy creative writing and storytelling. She is also co-convener of the Another Roadmap to Arts Education / Africa Cluster, freelance writer, knowledge-management consultant and a 2016/2017 Hubert H. Humphrey Fellow from Vanderbilt University in the USA. Lineo Segoete is a woman-child who engages in various forms of storytelling including writing, research and photography. Her restlessness drives her to wander in places and the head spaces of other Homo sapiens, in search of knowledge and understanding. Her curiosity and inquisitivity make her a lifelong scholar who likes love and beautiful things but also a sceptic and questioner of things.

The idea of making the Un/Chronological Timelines workshop into a card game evolved from an exercise introduced at a workshop within the Vienna Arts Education Festival in October 2017. During the game a temporary interactive timeline is constructed by the participants, including information from their own contexts. Such timeline has an un/chrono/logical character, because the elements of it are not fixed. New connections between cards are established every time they are played with. The way history is represented keeps changing and evolving and is open to be questioned, de- and re-constructed and represented in new ways. 

The workshop is presented by the Master Education in Arts, Piet Zwart Institute, Willem de Kooning Academy in collaboration with Annette Krauss and Casco Art Institute’s First Annual Assembly for commoning art institutions.

See: http://casco.art/en/program/more

Time: Thursday November 8, 19.00 – 21.30 hrs Location: Willem de Kooning Academy, Piet Zwart Institute, entrance Wijnhaven 61, 4th floor, large... Lees verder

Date: Wednesday, 31st of October 2018 Time: 19:00 – 21:00 Location: Varia (http://varia.zone/), Gouwstraat 3 3082 BA, Rotterdam

What shapes the daily routine of a telemarketing sales agent? How to go beyond the co-working model when it comes to organize a place for collaboration? What’s the territorial and political role of furniture within the semi-domestic area of the artist’s studio? Are life hacks a form of liberation or yet another burden? Together with author and designer François Girard-Meunier, the WORKNOT! collective (Arvand Pourabbasi and Golnar Abbasi), Varia, the Centre for Everyday Technology (represented by Roel Roscam Abbing, Manetta Berends and Niek Hilkmann) and XPUB (the Experimental Publishing program of the Piet Zwart Institute), we will tackle these and more questions during an evening dedicated to spaces that are at once entrepreneurial and precarious.

Life Hacks is part of Het Nieuwe Instituut’s fellowship program around the theme of ‘burn out’. As 2017 fellow Ramon Amaro states, “on the one hand, to ‘burn out’ is to stall, break, or become otherwise unusable. In other words, processes, procedure and participation simply stop working. On the other hand, ‘burn out’ is an opportunity to break open, promote action and catalyse change towards new structures and relations.” Life Hacks manifests in a series of gatherings that respond to this ambivalence by exploring the approaches and techniques adopted to design or redesign life against the backdrop of growing precarity and an intensified entrepreneurial regime. Together with theorists, practitioners and XPUB, the Experimental Publishing program of the Piet Zwart Institute, Life Hacks looks into the tensions and releases that emerge from the constant reinvention and progressive self-optimization necessary to inhabit public and private space, manage time and productivity, and tweak one’s own thoughts and feelings.

Life Hacks is curated by Silvio Lorusso, and jointly organized by HNI’s Research Department and XPUB.

Roel Roscam Abbing (NL) is an artist and researcher whose work engages with the issues and cultures surrounding networked computation. He engages with themes such as network infrastructures, the politics of technology and do-it-yourself approaches. He holds an MA Networked Media from the Piet Zwart Institute in Rotterdam and a Fine Arts BA from the Willem De Kooning Academy. Currently he also works as a teacher in Digital Media at the department of Graphic Design in Artez, Arnhem. He is also a member of the homebrewserver.club and Varia. https://roelof.info

Manetta Berends (NL) is a graphic designer with an interest in networked publishing & free software. Her practice is rooted in practical investigations into the sociality of software related to publishing infrastructures. Besides working on commissions, projects and workshops, Manetta is also member of Varia. https://www.manettaberends.nl

François Girard-Meunier (CA/NL) is interested by the performativity and politics of labour in the contemporary western post-fordist context. Graduated from the Graphic Design department of the Gerrit Rietveld Academie (2015) and the Critical Studies department of the Sandberg Instituut (2018), he works mainly in the cultural field as a designer, web developer, writer and so on. Recent projects include Flexible Bodies (2017), at the Tallinn Photomonth 17, and Talent at Work (2017), in collaboration with Mirjam Reili and re-published in the context of Signals From The Periphery (EE). He is based in Amsterdam, where he runs the Office for Workspace Studies and self-publishes. http://www.francoisgm.com/

Niek Hilkmann (NL) is an artist with a background in media design, art history and musicology. After graduating from the Piet Zwart Institute in Rotterdam, he started collaborating with various institutes, designers and artists on the fringe of speculative design, science fiction, media archeology and extratonal music. Besides being the curator of events such as “Floppy Totaal” and “De Grote Hoop”, he is also one of the core members of Varia, the conductor of an amateur avant-garde orchestra, the editor of the UNI Graphical Notation System, a part-time dodologist and the creator of one of the first moving panoramas since the nineteenth century. https://niekhilkmann.nl/

Varia (NL) is a Rotterdam based initiative focused on working with, on and through everyday technology. At its core the initiative aims to be a social infrastructure from which to collaboratively facilitate critical understandings on the technologies that surround us. The initiative is a membership-based organisation striving to become a space for questions, opinions, modifications, help and action. http://varia.zone/

WORKNOT! (NL/IR) is a Rotterdam-based independent open collective that works to create a platform for the representation of the life and work of today’s cognitarians. It works with seemingly banal, yet extreme (and political) conditions that shape our today’s contemporary forms of living and working. The collective consists of Arvand Pourabbasi and Golnar Abbasi, researchers/designers/makers with a background in architecture and art. Since its foundation in Tehran (2012), it has worked in a variety of context through a broad range of collaborations, and has created workshops, exhibitions, performances, images, writings, lectures and publications. https://worknot.info/

Cover image: François Girard-Meunier

Read on: http://networkcultures.org/entreprecariat

http://silviolorusso.com

Date: Wednesday, 31st of October 2018 Time: 19:00 – 21:00 Location: Varia (http://varia.zone/), Gouwstraat 3 3082 BA, Rotterdam What shapes... Lees verder

Master Education in Arts – Graduation Presentation 2018 Pedagogy in Context Symposium Reading Room

Friday & Saturday July 6 – 7: Symposium Pedagogy in Context, TENT. (live screened in the Reading Room). TENT., Auditorium, Witte de With straat 50. July 6: 11.00 – 20.00 hrs (drinks afterwards) July 7: 11.00 – 17.00 hrs

July 4 – 8: Reading Room, WdKA, Piet Zwart Institute, 4th floor, Wijnhaven 61. Opening 4 July: 17.00 – 23.00 hrs July 5 – 6: 11.00 – 23.00 hrs July 7 – 8: 11.00 – 18.00 hrs

The Master Education in Arts of the Piet Zwart Institute cordially invites you to her Graduation Presentation 2018 taking place at two locations this year: the Willem de Kooning Academy and TENT. Rotterdam. The graduation projects of the students are presented adopting two different formats: the symposium Pedagogy in Context, hosted by TENT., and a Reading Room at the Willem de Kooning Academy, both being part of the WdKA Graduation Show 2018.

The symposium Pedagogy in Context at TENT. consists of workshops, presentations, performances and discussions. It introduces the diverse experimental contexts and research methodologies of the students’ graduation projects as well as the diversity of their educational practices. Visitors are invited to participate in an open discussion on the urgencies of contemporary art/design education. The Reading Room at the WdKA offers a space where visitors can access the students’ research projects, as well as the ‘living archives’ of their theoretical and practice-based research. There is also a live screening of the symposium.

Participating students: Susana Carvalho, Fieke Dieleman, Felix Dorer, Marianne van Horssen, Emily Huurdeman, Amy Pickles, Desiree Kerklaan, Marian Ouwerkerk, Marine Poyard, Benjamin van der Spek, Maarten de Vugt and Viki Zioga.

Detailed information about the symposium program will be released soon on this website and our graduation website: http://meia.pzwart.nl

Full programme Symposium

Master Education in Arts – Graduation Presentation 2018 Pedagogy in Context Symposium Reading Room Friday & Saturday July 6 – 7: Symposium... Lees verder

Research and Experimentation in Art and Design Education

The Master Education in Arts is two-year 60 ECTS part-time programme specifically developed for working practitioners/educators. The course has an interdisciplinary focus, allows for experimentation, is taught in English and accepts students from the Netherlands and within the EU at large. The programme explicitly connects theory and practice, focusing on contemporary issues that span different practices and discourses: education, pedagogy, art, design, cultural theory, digital cultures, public practices, education philosophy, museum education and so forth. Classes are taught on Friday and Saturday every two weeks at Piet Zwart institute on the 4th floor of the WdKA/Wijnhaven.

The curriculum is designed for educators in the field of secondary/vocational and higher art and design education, museum educators and artists and designers with an interest in pedagogical/public practices. We also explicitly welcome cultural professionals working within and outside and institutional environment (workshops, labs, et cetera). Peer learning and being part of learning community exchanging knowledge and experiences, is a key feature of our programme. The course prepares graduates to engage with formal educational structures as well as informal learning environments.

Application deadline: May 15

Research and Experimentation in Art and Design Education The Master Education in Arts is two-year 60 ECTS part-time programme specifically... Lees verder

Calling all students vandalizing encrypted regulation, shareholders performing cross authoritarian browsers, publics scanning sub-granular carpets, terrorists deciding multi-distributed HTML pages, professionals seeing industrial advertising, programmers destroying vertical terrorism, cats running inter-version-controlled food, authors listening to craft architectures, celebrities developing online blogs, architects feeling avant-libre feeds, stenographers sending super-decentralised image boards, adults debating inclusive dances, victims bragging about retro-capitalist graffitis, livecoders exchanging post-dark radio, tourists lying about liberal maps, visitors whistleblowing shared theatre, makers tweeting digital markets, preachers divulging xeno-agonistic apps, monkeys dealing capitalist teaching, networks provoking bootleg viruses.

DEADLINE May 15

https://xpub.nl

Calling all students vandalizing encrypted regulation, shareholders performing cross authoritarian browsers, publics scanning sub-granular... Lees verder

Wednesday 11 April, 18:00, Room W.4.320Piet Zwart Institute, Wijnhaven 61, 3011 WJ Rotterdam

The Master of Interior Architecture: Research + Design  is pleased to announce a new lecture for its 2018 public programme.

Shumi Bose is a teacher, curator and editor based in London. She is Senior Lecturer and Coordinator of Contextual Studies in Architecture at Central Saint Martins in London. She is also a curator of exhibitions at the Royal Institute of British Architects (RIBA). In 2017, Shumi curated Pablo Bronstein: Conservatism, or The Long Reign of Pseudo Georgian Architecture at the RIBA. With Finn Williams and Jack Self, she also co-curated Home Economics, for the British Pavilion at the 2016 Venice Biennale of Architecture. Recent publications (as editor) include Four Walls and A Roof: The Complex Nature of a Simple Profession (with Reinier de Graaf; Harvard University Press, 2017), Home Economics (The Spaces, 2016), and Wherever You Find People: the Radical Schools of Oscar Niemeyer, Leonel Brizola and Darcy Ribeiro (with Aberrant Architecture; Park Books, 2016).

 

 

[Image: Home Economics, British Pavilion, Venice Architecture Biennale, 2016]

Wednesday 11 April, 18:00, Room W.4.320, Piet Zwart Institute, Wijnhaven 61, 3011 WJ Rotterdam The Master of Interior Architecture: Research... Lees verder